"Shadow Zone: The Undead Express" is a decent if not entirely spectacular vampire affair.
**SPOILERS**
Living in New York, Zach, (Chauncey Leopardi) is constantly complaining to friends Gabe, (Natanya Ross) and J.T., (Tony T. Johnson) about the tiresome situation involving his divorced parents. While exploring the city, he runs across Valentine Cutter, (Ron Silver) a strange man who lives beneath the city streets on a subway, and when he tells others about him, no one believes him. Determined to know more about the stranger, it's eventually learned that he's a vampire who doesn't partake in drinking human blood, yet still no one believes him. Soon afterwards, he gets wind of a dangerous plot with his family of vampires using his friends as bait so they can escape from the sewers, and must get along with an increasingly-untrustworthy friend to get them out.
The Good News: There was some good stuff here from time-to-time. One of the best parts is the fact that there's a series of rather well-done vampire encounters which are quite fun. One of the better parts is the first one within the crumbling walls of the subway station, where the combination of the unknown situation meshes well with the creepy location where the encounter is made and when it showcases the vampire in the sunlight finally melting down it's rather fun and enjoyable for these several good reasons. A later scene inside a ruined cathedral-type subway station is just as good, for the grand atmosphere given off by the location meshes well with the action performed, which is perhaps the first instance where it's obvious that this is a vampire due to the stunts involved, and due to the advancement it does to the story, this scene works nicely. Another encounters, including the early scenes of him wandering around their world where he is subjected to their conditions and way-of-life, to a rather fun brawl in a cemetery and the shots of the vampires being turned, are all rather nice and definitely worthwhile. The best part of the film, though, is the concept of their railway car and how it affects the world around them, which is quite clever and somehow manages to work in this kind of film due to the rating it has, and the scenes on-board it, which includes the spectacular segment where the fact that they're vampires is revealed, is such a part of that it's enough for this film to be watchable. The atmosphere of the situation, the creepiness of the vampires themselves and the fact that the revelation is spoken of with barely any change in inflection despite how the words are being spoken is what makes it work, and because of how well it spells out the action in the film, this here is a great part of the film. The last plus here is the fun and fantastic finale, which is incredibly over-the-top and really enjoyable. From the way it twists the entire storyline to the action that plays out in the course of the proceedings, and that it gives us a full-on series of multiple vampire disintegrations is really great. These elements here manage to make the film enjoyable.
The Bad News: There was a couple of rather noticeable flaws to this one. One of the main ones is a problem that is thankfully erased later on in the film but is still prevalent in the beginning stages, that the vampire cult are built into rather non-frightening entities. Since the group is made out into the type that prefers rat blood to human, there really shouldn't be much to be feared from them and this is played out as such during the film. Ever since the announcement is made that the vampire lead intends on protecting him from the other members of the clan, there's really no need to ever really find this one scary because, by virtue of the dialog, there's no need to ever place him in danger again as he will always come to the rescue, a fact which is shown a couple times to reinforce the situation, and these scenes are just completely non-scary in tone and appearance because of the conditions the film forces itself into. As such, the middle segment of this one is somewhat dull because it won't really let itself go all-out for it's own cause. There's also a questionable section here where one of the vampires escapes into the streets and must be tracked down, but since the entire segment is over in five minutes, features no body count and doesn't add anything to the film, it's inclusion is a little strange. The last flaw to this one is the fact that the film is book-ended by a completely unneeded horror-host that just comes off as cheesy instead of scary, cracking lame one-liners and bad puns about death and dying, and it didn't need to be there. These here are the film's flaws..
The Final Verdict: Not all that spectacular, but definitely worthy of some watchability due to some rather good points being present to balance the flaws. Really only recommended to those who enjoyed the book or these lighter-styled horror films, while those that prefer more active vampire efforts should heed caution.
Rated PG-13: Violence, some Language and children in danger
**SPOILERS**
Living in New York, Zach, (Chauncey Leopardi) is constantly complaining to friends Gabe, (Natanya Ross) and J.T., (Tony T. Johnson) about the tiresome situation involving his divorced parents. While exploring the city, he runs across Valentine Cutter, (Ron Silver) a strange man who lives beneath the city streets on a subway, and when he tells others about him, no one believes him. Determined to know more about the stranger, it's eventually learned that he's a vampire who doesn't partake in drinking human blood, yet still no one believes him. Soon afterwards, he gets wind of a dangerous plot with his family of vampires using his friends as bait so they can escape from the sewers, and must get along with an increasingly-untrustworthy friend to get them out.
The Good News: There was some good stuff here from time-to-time. One of the best parts is the fact that there's a series of rather well-done vampire encounters which are quite fun. One of the better parts is the first one within the crumbling walls of the subway station, where the combination of the unknown situation meshes well with the creepy location where the encounter is made and when it showcases the vampire in the sunlight finally melting down it's rather fun and enjoyable for these several good reasons. A later scene inside a ruined cathedral-type subway station is just as good, for the grand atmosphere given off by the location meshes well with the action performed, which is perhaps the first instance where it's obvious that this is a vampire due to the stunts involved, and due to the advancement it does to the story, this scene works nicely. Another encounters, including the early scenes of him wandering around their world where he is subjected to their conditions and way-of-life, to a rather fun brawl in a cemetery and the shots of the vampires being turned, are all rather nice and definitely worthwhile. The best part of the film, though, is the concept of their railway car and how it affects the world around them, which is quite clever and somehow manages to work in this kind of film due to the rating it has, and the scenes on-board it, which includes the spectacular segment where the fact that they're vampires is revealed, is such a part of that it's enough for this film to be watchable. The atmosphere of the situation, the creepiness of the vampires themselves and the fact that the revelation is spoken of with barely any change in inflection despite how the words are being spoken is what makes it work, and because of how well it spells out the action in the film, this here is a great part of the film. The last plus here is the fun and fantastic finale, which is incredibly over-the-top and really enjoyable. From the way it twists the entire storyline to the action that plays out in the course of the proceedings, and that it gives us a full-on series of multiple vampire disintegrations is really great. These elements here manage to make the film enjoyable.
The Bad News: There was a couple of rather noticeable flaws to this one. One of the main ones is a problem that is thankfully erased later on in the film but is still prevalent in the beginning stages, that the vampire cult are built into rather non-frightening entities. Since the group is made out into the type that prefers rat blood to human, there really shouldn't be much to be feared from them and this is played out as such during the film. Ever since the announcement is made that the vampire lead intends on protecting him from the other members of the clan, there's really no need to ever really find this one scary because, by virtue of the dialog, there's no need to ever place him in danger again as he will always come to the rescue, a fact which is shown a couple times to reinforce the situation, and these scenes are just completely non-scary in tone and appearance because of the conditions the film forces itself into. As such, the middle segment of this one is somewhat dull because it won't really let itself go all-out for it's own cause. There's also a questionable section here where one of the vampires escapes into the streets and must be tracked down, but since the entire segment is over in five minutes, features no body count and doesn't add anything to the film, it's inclusion is a little strange. The last flaw to this one is the fact that the film is book-ended by a completely unneeded horror-host that just comes off as cheesy instead of scary, cracking lame one-liners and bad puns about death and dying, and it didn't need to be there. These here are the film's flaws..
The Final Verdict: Not all that spectacular, but definitely worthy of some watchability due to some rather good points being present to balance the flaws. Really only recommended to those who enjoyed the book or these lighter-styled horror films, while those that prefer more active vampire efforts should heed caution.
Rated PG-13: Violence, some Language and children in danger