5/10
Children of the Night
19 July 2009
Warning: Spoilers
A vampire submerged underwater in an underground crypt, emerges having re-awakened thanks in part to two teenage girls swimming around. The small town of Allburg is soon invaded by the vampire curse as a teacher, 50 miles away, will reluctantly join forces with one of the girls who saw the leader, Czakyr, rise from his watery tomb, and the local drunken bum as they attempt to rid themselves of the evil which threatens their very lives.

Okay high camp vampire tale, plenty of blood and wooden stakes penetrating chests. Karen Black gets top billing as Karen Thompson, but she's mostly confined to a room, chained to her bed by her character's priest lover, Father Alden(Evan MacKenzie)..the one who petitions best friend and confident, Mark(Peter DeLuise) to go to Allburg in search of Lucy Barrett(Ami Dolenz), the teenager who watched Czakyr bloodsuck Karen's daughter Cindy(Maya McLaughlin). Cindy is locked in the room with Karen, mostly feasting on the leeches which Father Aldin supplies..Cindy is Karen's "nutritional source". Karen, however, never ceases to lure Aldin into her clutches, eventually succeeding. Meanwhile, Mark, Lucy and wino Matty(Garrett Morris)must contend and fend off a community of vampire citizenry while also facing the difficult challenge of defeating Czakyr. Lucy will soon partner up with Cindy who wishes to get even with Czakyr for turning her into a vampire.

Unlike other movies, we see that these vampires cocoon(..or, at least Karen does), some sleeping underwater breathing through their lungs which rest on the outside of their bodies! David Sawyer is unrecognizable as the grotesque Czakyr, his pointy ears, dank color, demonic facial features, and long fangs. Black plays her vampire to the hilt, really memorable under her make-up and fangs...quite a costume and she doesn't hold back, that's for sure. Dolenz is adorable as the virginal cutie Czakyr wishes to feast from. Deluise, her "what the hell have I gotten myself into" suitably frightened protector, way out of his league in the "killing vampires" department. Morris steals the film as the hobo who takes matters into his own hands, commandeering a "spread the word" van, blowtorching a light-bulbed cross to the bumper, prepared to impale any bloodsucker in his path.

Some very unusual camera angles and effective use of color, but this vampire flick is nothing spectacular. You get the expected ultra-violence. Director Tony Randel tones the film in a light-hearted way.
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