Fritz Lang's classic 'M' back in the 1930s is a well-regarded classic, which brought Peter Lorre to prominence and a career in Hollywood.
This film, made twenty years later by Joseph Losey, starred light comedian David Wayne as the child-killer, and has much of the same storyline and set-pieces as its predecessor. But is it any good? It has its chilling moments - notably the ones involving the plasticine figure and the bird at the cafe - and Wayne, in a largely silent part, is surprisingly good. But much of the film is a copy of the original, and this lessens its impact. Also, the character of the lawyer who has gone to drink is too prominent, and the underworld search for the murderer who threatens their operation doesn't quite fit on the mean streets of LA, where it did in Germany.
Not as bad as I'd heard, in fact this film is really quite good, but some bad editing decisions (acknowledged at the time of its release by Losey) have done damage. It deserves a nod for unusual casting though.
This film, made twenty years later by Joseph Losey, starred light comedian David Wayne as the child-killer, and has much of the same storyline and set-pieces as its predecessor. But is it any good? It has its chilling moments - notably the ones involving the plasticine figure and the bird at the cafe - and Wayne, in a largely silent part, is surprisingly good. But much of the film is a copy of the original, and this lessens its impact. Also, the character of the lawyer who has gone to drink is too prominent, and the underworld search for the murderer who threatens their operation doesn't quite fit on the mean streets of LA, where it did in Germany.
Not as bad as I'd heard, in fact this film is really quite good, but some bad editing decisions (acknowledged at the time of its release by Losey) have done damage. It deserves a nod for unusual casting though.