OK, so let me get this straight: Magical Mystery Tour, which I've yet to see but have heard is quite bad and pretentious and dated, is allowed to be on DVD, but *this* is banned by the 1/2 Beatles? Why? Because at one point Paul and George have a little argument over a song? As the British would say, bullocks! What they show in the film of arguments and sulking is what happens in ANY band, and in fact is usually much worse - I was almost surprised there wasn't more of the taped back-and-forth exchanged in the film, given what's been said how bad it got amongst the fab four during their final year in recording, particularly on Let it Be aka Get Back (the most chilling thing overall is the presence Yoko, who keeps popping up looking like she could duke it out with Bergman's Seventh Seal Death dude and probably win).
While I watched it on a reasonable if as a given muddy and slightly scratchy transfer online on bootleg, it was pretty much the film intact as it played almost 40 years ago. What makes it a must-see is not the direction, which is at best competent and at worst the weakest thing going for it - sadly, Al Maysles was already taken by the Stones, as his eye would have been perfect - but the Beatles and the music. I'd argue after watching this and listening to Let it Be... Naked that the majority of the songs are as great as the main tracks on Abbey Road. Indeed a few of the songs in the movie here, Maxwell Silver Hammer, Octopus Garden, wound up on that album, and are practically interchangeable from the rest of the output.
We see the Beatles do what they do best, be Beatles, play and work out the kinks in classic songs, and also the camaraderie that shows what underneath the image given by the other goofier movies that they were simply incredibly talented musicians. This is evidenced by the scenes where they don't actually play or rehearse their own songs but goof around, play rhythm and blues tunes and even at one point a mariachi number sung by Paul! There's not a lot of time spent with them just talking or shooting the s**t - at most we get some reminiscing between Paul and John about the Maharishi or some noodling around here and there between takes. It's not even entirely accurate to say it's documentary, as it's more like an all encompassing, authentic home movie with some extra cash to spare on cameras and editing.
It all leads up to that rooftop concert that is still one of those big bad-ass moments in rock and roll history (if, again, not filmed with the best lenses or cameramen, it was perhaps a given that they had to shoot it on the fly). The energy and fun comes through all the way, and contrary to the film's reputation Let it Be shows the Beatles as having fun and doing what they do best even in what was their darkest, near-end period. Maybe there's a longer cut out there that shows more of the arguments, more bickering back and forth and maybe some of Yoko leering on like a supernatural delusion. For me, at least, I'd rather not see it: what remains, and what should for God sakes be shown to a wider and more receptive Beatles audience, is very good stuff. 8.5/10
While I watched it on a reasonable if as a given muddy and slightly scratchy transfer online on bootleg, it was pretty much the film intact as it played almost 40 years ago. What makes it a must-see is not the direction, which is at best competent and at worst the weakest thing going for it - sadly, Al Maysles was already taken by the Stones, as his eye would have been perfect - but the Beatles and the music. I'd argue after watching this and listening to Let it Be... Naked that the majority of the songs are as great as the main tracks on Abbey Road. Indeed a few of the songs in the movie here, Maxwell Silver Hammer, Octopus Garden, wound up on that album, and are practically interchangeable from the rest of the output.
We see the Beatles do what they do best, be Beatles, play and work out the kinks in classic songs, and also the camaraderie that shows what underneath the image given by the other goofier movies that they were simply incredibly talented musicians. This is evidenced by the scenes where they don't actually play or rehearse their own songs but goof around, play rhythm and blues tunes and even at one point a mariachi number sung by Paul! There's not a lot of time spent with them just talking or shooting the s**t - at most we get some reminiscing between Paul and John about the Maharishi or some noodling around here and there between takes. It's not even entirely accurate to say it's documentary, as it's more like an all encompassing, authentic home movie with some extra cash to spare on cameras and editing.
It all leads up to that rooftop concert that is still one of those big bad-ass moments in rock and roll history (if, again, not filmed with the best lenses or cameramen, it was perhaps a given that they had to shoot it on the fly). The energy and fun comes through all the way, and contrary to the film's reputation Let it Be shows the Beatles as having fun and doing what they do best even in what was their darkest, near-end period. Maybe there's a longer cut out there that shows more of the arguments, more bickering back and forth and maybe some of Yoko leering on like a supernatural delusion. For me, at least, I'd rather not see it: what remains, and what should for God sakes be shown to a wider and more receptive Beatles audience, is very good stuff. 8.5/10