This was more or less the KINSEY (2004) of its day, though clearly quaint in comparison; still, it is a measure of the times that the film caused a mild stir back then whereas KINSEY virtually made no ripples when it emerged! Anyway, HARRAD is mildly interesting (if perhaps too low-key to stay in the memory for long) in delineating the forward-thinking/experimentation that occurred in sexual relationships at the end of the 1960s. Incidentally, I rented the film as part of a small tribute to its recently-deceased star James Whitmore: of course, the middle-aged actor does not get in on the action (even if it is never particularly explicit); Tippi Hedren, then, appears as his still-attractive spouse/collaborator who even catches the eye of the campus hunk (Don Johnson, interestingly the long-time partner of Hedren's real-life daughter Melanie Griffith!). The rest of the cast is filled with fresh faces (including future comedian Bruno Kirby[!]
but especially notable is lovely and initially shy heroine Laurie Walters who, in her turn, is pursued by leering Robert Middleton at a nearby café). Unsurprisingly, partners get swapped (whether intended or not) which invariably cause heartbreaks, but there is also some cheap humor at the expense of a bespectacled and plump student. While director Post was more at home in action-oriented fare, he handles the delicate subject matter with directness and reasonable perception; besides, the film looks good, sports a typical 1970s pop score (one of the songs being performed by Johnson himself) and, for what it is worth, was even followed a year later by a sequel, HARRAD SUMMER.
Review of The Harrad Experiment
