Review of The Good Life

The Good Life (2007)
6/10
Meloncoly For Its Own Sake?
27 December 2008
Warning: Spoilers
The arc of the plot is much like THE RIVER KING. Though entirely different as far as genre and intended audience, both movies do a very good job at introducing a multitude of characters and potential conflict and then shamelessly just ignore any attempt at resolution, be it good or bad, moral or immoral, clear or ambiguous, etc.

Having said so much, TGL is the more highbrow of the movies. The acting, shots, script are excellent and for about an hour this viewer was very involved with the main character and engrossed in his conflicts (indeed, our protagonist is the focus point in every scene, except for the football coach TV blurbs that serve as the backdrop of the setting).

There are multiple, well conceived and introduced plot conflicts: coming of age, love interest, parental, Oedipal, antagonist, death (even, though not-so-well, sexuality) just to name a few. Plot conflicts do not have to be resolved, life is not so neat. They can be compromised, contained, accepted, condoned, absorbed (name your own disposition!). But they must be treated in some form or manner. Mr. Berra has made a movie of interest and we can look forward to more. Next time, however, he should finish his film.
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