This 1990 documentary documents Kenneth Branagh's first try at playing Hamlet. It took place onstage in the late 1980's, with members of the Reaissance Theatre Company in support, all under the direction of actor Derek Jacobi. Jacobi had played Hamlet himself on television in 1980, and would play Hamlet's murderous uncle Claudius in Branagh's own brilliant 1996 film version of the complete play.
There are fascinating similarities and differences between this documentary (recorded on videotape) and the later film. We can see how Branagh himself (looking amazingly young and rather "green" here) develops his performance. At some points he seems considerably less unsure of himself than he does in his own film version of the play, other times his portrayal is just as confident and mature as it would be in 1996. The actors (except for Branagh) tend to speak the verse in a more "formal" way (i.e., as in Olivier's filmed Shakespeare) than they do in the 1996 "Hamlet", but at the same time, not one of them is stiff in his/her delivery. There are two moments -Hamlet's sarcastic treatment of Claudius after the murder of Polonius, and the "recorders" scene with Rosencrantz and Guildenstern - which Branagh acts in a considerably quieter, less "over-the top" manner here than in his own film of "Hamlet", and one could argue that his sarcasm here is much more withering.
The other actors offer revealing insights into their own characters, and Jacobi, as a director, explains his rationale behind the staging of some of the scenes.
However, I must beg to differ with the previous reviewer who states that he saw this production in person and that the soliloquy "To be or not to be, that is the question...etc." had been omitted. I'm not sure if he is confused or not, but this video conclusively shows not only that the famous soliloquy not only was included, but that Derek Jacobi daringly broke with tradition by having Hamlet speak the lines not to himself, as he does traditionally, but to Ophelia, thus planting the idea of suicide in her mind long before she goes insane. (This is one idea that Branagh did not carry over into his own film version; in the movie, Hamlet speaks the lines looking into a two-way mirror.) While Peter O'Toole, who was ostensibly sitting in the audience, may have disapproved of some of the ideas used for the staging of this production, it is difficult to believe that one of them was the omission of "To be or not to be".
PBS issued this video originally, and it is an admirable supplement to Kenneth Branagh's four-hour film of "Hamlet".
There are fascinating similarities and differences between this documentary (recorded on videotape) and the later film. We can see how Branagh himself (looking amazingly young and rather "green" here) develops his performance. At some points he seems considerably less unsure of himself than he does in his own film version of the play, other times his portrayal is just as confident and mature as it would be in 1996. The actors (except for Branagh) tend to speak the verse in a more "formal" way (i.e., as in Olivier's filmed Shakespeare) than they do in the 1996 "Hamlet", but at the same time, not one of them is stiff in his/her delivery. There are two moments -Hamlet's sarcastic treatment of Claudius after the murder of Polonius, and the "recorders" scene with Rosencrantz and Guildenstern - which Branagh acts in a considerably quieter, less "over-the top" manner here than in his own film of "Hamlet", and one could argue that his sarcasm here is much more withering.
The other actors offer revealing insights into their own characters, and Jacobi, as a director, explains his rationale behind the staging of some of the scenes.
However, I must beg to differ with the previous reviewer who states that he saw this production in person and that the soliloquy "To be or not to be, that is the question...etc." had been omitted. I'm not sure if he is confused or not, but this video conclusively shows not only that the famous soliloquy not only was included, but that Derek Jacobi daringly broke with tradition by having Hamlet speak the lines not to himself, as he does traditionally, but to Ophelia, thus planting the idea of suicide in her mind long before she goes insane. (This is one idea that Branagh did not carry over into his own film version; in the movie, Hamlet speaks the lines looking into a two-way mirror.) While Peter O'Toole, who was ostensibly sitting in the audience, may have disapproved of some of the ideas used for the staging of this production, it is difficult to believe that one of them was the omission of "To be or not to be".
PBS issued this video originally, and it is an admirable supplement to Kenneth Branagh's four-hour film of "Hamlet".