7/10
A Quintet of Grisly Shudders
7 November 2008
"Tales From the Crypt" (1972) is one of seven horror anthology pictures released by Hammer rival Amicus over an eight-year period. "Tales" had been preceded by "Dr. Terror's House of Horrors," "Torture Garden," "The House That Dripped Blood" and "Asylum," and would soon be followed by "Vault of Horror" and "From Beyond the Grave." The five stories dished out in the "Tales" omnibus have as their linchpin Sir Ralph Richardson as the urbane Crypt Keeper (a far cry from the cackling HBO demon so many folks might be expecting), who looks into the minds of a group of lost tourists and sees their gruesome stories: In "And All Through the House," a particularly gorgeous Joan Collins plays cat & mouse with an escaped psycho Santa. "Reflection of Death" shows us what happens to philandering husband Ian Hendry after he and his mistress are involved in a nasty car wreck. Horror icon Peter Cushing, in "Poetic Justice," plays a kindly old man victimized by his neighbors, but who manages to deliver one horrible Valentine's Day surprise. In "Wish You Were Here," a variation of the old "Monkey's Paw" tale, a widow learns that it really is imperative to be careful for what you wish. And in "Blind Alleys," Patrick Magee and the other sightless residents of an old-man's home take a particularly grisly vengeance on their new martinet superintendent, played by Nigel Patrick. All five of these tales feature some startling and horrific bit of business; indeed, the film is memorably shocking in parts, and I was amazed at how much of the picture I recalled, after not having seen it for over 35 years. The impressive cast of British actors seems to be enjoying itself immensely, and that spirit of fun is certainly communicated to the viewer. Indeed, while watching "Tales" for the first time in all those years, I found myself happily grinning from ear to ear. From the opening strains of horror-film standard Bach's "Toccata & Fugue in D Minor" to its creepy final query from the Crypt Keeper himself, the film is nothing deep, nothing demanding, nothing innovative; just good fun. And oh...look out for that fire poker!
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