Having been so impressed with Casino Royale, which I felt was a film that stood on its own without the Bond brand protection, I was hoping for, and expecting a film of a similar quality.
I felt that the first half of the film wandered through one action scene to the next, and for the first time in a long time, found myself shuffling in my seat and frankly a little bored.
I accept that this was always going to be a different "type" of film from Casino Royale in that the action scenes were supposed to address the anger built up in Bond, yet I feel that it genuinely focused too much on technology and action sequences, bearing little thought to the deeper inner demons that I enjoyed so much in the previous film.
Having said all this, there were flashes of utter brilliance; for example the end of the Opera scene, which was more like something of a Scorcese epic - it made it feel like a proper grown up film that deserved recognition in its on right - and then it stuttered back to the overall slow and dialogue sparse plot.
The nails in the coffin for me were the basic, avoidable continuity errors right at the start of the film (Craig's position in Aston and Craig's collar in talks with M). All the money thrown at this film and it lacked simple editing and thought.
Overall, an unfortunately shallow film (with echoes of Licence to Kill) which will hopefully provide a clear link and purpose to Craig's third Bond film. This film is worth a watch (probably only once), but make sure you book a very comfy seat, and don't expect too much of it.
I felt that the first half of the film wandered through one action scene to the next, and for the first time in a long time, found myself shuffling in my seat and frankly a little bored.
I accept that this was always going to be a different "type" of film from Casino Royale in that the action scenes were supposed to address the anger built up in Bond, yet I feel that it genuinely focused too much on technology and action sequences, bearing little thought to the deeper inner demons that I enjoyed so much in the previous film.
Having said all this, there were flashes of utter brilliance; for example the end of the Opera scene, which was more like something of a Scorcese epic - it made it feel like a proper grown up film that deserved recognition in its on right - and then it stuttered back to the overall slow and dialogue sparse plot.
The nails in the coffin for me were the basic, avoidable continuity errors right at the start of the film (Craig's position in Aston and Craig's collar in talks with M). All the money thrown at this film and it lacked simple editing and thought.
Overall, an unfortunately shallow film (with echoes of Licence to Kill) which will hopefully provide a clear link and purpose to Craig's third Bond film. This film is worth a watch (probably only once), but make sure you book a very comfy seat, and don't expect too much of it.