Frozen River (2008)
8/10
Gritty, cutting-edge crime drama.
4 October 2008
Warning: Spoilers
I recently saw Frozen River, at a local theater. This indie film revolves around two impoverished single mothers; one white, and the other a member of the Mohawk Native American tribe. The setting of the film takes place in the harsh, bleak climate of upstate NY, near the Canadian border during wintertime.

Melissa Leo is brilliant as the haggard, world-weary single mother, Ray. Ray's gambling-addict husband, has left her and their 2 sons in the lurch. Right before Christmas, he splits with the savings that Ray had planned to use as payment, for a better trailer home than the one her family has been residing in.

Ray tries in vain to support herself and her children, on income from a part-time retail job. She doesn't get the promotion to Manager, that she had expected at her job. As a result, Ray and her family are in dire economic straits; they subsist on popcorn and powdered juice, are on the verge of having their TV repossessed by a rent-to-own store, and face a Christmas without presents. Worst of all, the coveted 'double-wide' trailer home that Ray has long dreamed of purchasing, is an impossibility, without the savings that her husband ran off with.

In desperation, Ray goes looking for her husband in a gambling Casino, located in Mohawk tribal territory. One of the young Native American women of the tribe, Lila (played with a dry, dour efficiency by Misty Upham) steals the car that Ray's husband had abandoned, in the Casino parking-lot. Ray sees this, and pursues Lila to her tiny trailer home, located in a remote woodsy area.

Lila is also a single mom whose husband had died, and left her with a 1-year-old son to raise alone. Lila doesn't want to give Ray the car back, and doesn't respond to threats that Ray will turn Lila in to the local cops. According to Lila, white man's law is void in Mohawk territory. After a brief scuffle with Lila, Ray pulls a pistol, and shoots a hole in Lila's trailer. Frightened by this, Lila makes Ray an offer; if she lets Lila keep the car, then Ray can join Lila in her lucrative immigrant smuggling operation. Ray reluctantly agrees.

This film offers-up lots of stark, yet gorgeous, moody scenery. It dovetails well, with the gripping suspense of the smuggling-runs made by Ray and Lila. They must always keep one step ahead of the local State Troopers, hope that the sleazy smuggling kingpins pay them what they are owed, and complete their smuggling-runs without the frozen river caving in.

The basic premise of the film is grim, but highlights the lengths that two desperate single mothers could be driven to, in order to support their families. We need more films that address the serious plight of the working-poor, in American today. Especially films about poor single mothers, and the acute economic hardships that many of them face in today's economy.

The main problem with Frozen River, is that there are some implausible plot details, throughout the film. The producers obviously wanted to make a film with lots of emotional impact, and depth. They succeeded, but also should have made sure that they smoothed-out the rough edges in the storyline. Overall though, I would recommend Frozen River. The gorgeous cinematography, and especially the strong performances by the two lead actresses, make this film worth watching.
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