I watched this film in a very strange way -- I had put it on my Netflix list and couldn't remember why (other than that I knew Philip Seymour Hoffman was in it). Since the film has no opening credits, I couldn't even remember who had directed it.
As my wife and I watched it, I turned to her about 45 minutes in and said, "You know, I keep wanting to decide that I hate this film, but something about it just won't let me stop watching it." Then there's a stretch of about half a dozen scenes in the middle of the movie that are truly electrifying in the actors' performances.
It was only as the end credits rolled that I realized it was a Sidney Lumet film. And I thought -- wow. I'm surprised that Lumet took on what was really a dirty, petty little story about really mean, broken people. But it's a testament to his talent that I was so taken in when I didn't even realize it was him.
Philip Seymour Hoffman is really, really good in this movie. Like scary good. Put this up against Capote and I would argue the Oscar should have been for this film instead.
I also highly recommend the narrative special feature with Lumet, Hawke and Hoffman talking about making the movie -- it's entertaining and educational, with Hawke playing the student eager to learn at the master's feet. Lumet definitely teaches you the first rule of working with actors -- kiss their asses constantly!!
There are a lot of violent, melodramatic movies out there that are empty ciphers when all is said and done. And there is an element of that in this film -- that the actors fill the air with sulphurous blasts of emotion, and when the smoke clears there's nothing left. Nothing resonates on a deeper level.
But Lumet has given us Network and Twelve Angry Men -- films that, each in their own ways, have been elevated into the highest echelons of cinema.
This movie isn't at that level. But there's something about it that lingers. And maybe that's enough.
My final comment is about the comments -- if you look at the number of comments about this little movie here on IMDb -- and the depth and intelligence of the comments, pro and con -- it's a pretty good indication that something special is going on with this film.
As my wife and I watched it, I turned to her about 45 minutes in and said, "You know, I keep wanting to decide that I hate this film, but something about it just won't let me stop watching it." Then there's a stretch of about half a dozen scenes in the middle of the movie that are truly electrifying in the actors' performances.
It was only as the end credits rolled that I realized it was a Sidney Lumet film. And I thought -- wow. I'm surprised that Lumet took on what was really a dirty, petty little story about really mean, broken people. But it's a testament to his talent that I was so taken in when I didn't even realize it was him.
Philip Seymour Hoffman is really, really good in this movie. Like scary good. Put this up against Capote and I would argue the Oscar should have been for this film instead.
I also highly recommend the narrative special feature with Lumet, Hawke and Hoffman talking about making the movie -- it's entertaining and educational, with Hawke playing the student eager to learn at the master's feet. Lumet definitely teaches you the first rule of working with actors -- kiss their asses constantly!!
There are a lot of violent, melodramatic movies out there that are empty ciphers when all is said and done. And there is an element of that in this film -- that the actors fill the air with sulphurous blasts of emotion, and when the smoke clears there's nothing left. Nothing resonates on a deeper level.
But Lumet has given us Network and Twelve Angry Men -- films that, each in their own ways, have been elevated into the highest echelons of cinema.
This movie isn't at that level. But there's something about it that lingers. And maybe that's enough.
My final comment is about the comments -- if you look at the number of comments about this little movie here on IMDb -- and the depth and intelligence of the comments, pro and con -- it's a pretty good indication that something special is going on with this film.