5/10
The Vampires' Night Orgy
7 August 2008
Warning: Spoilers
A bus driver taking a small group of hired help for a new job at a wealthy estate, has a heart attack leaving them in quite the predicament. Needing rest, they find a sleepy Spanish village surprisingly absent of citizens. One amongst them is attacked by those citizens who just so happen to be vampires, under the servitude of The Countess(Helga Liné, wasted in a rather underwhelming role). Soon the others' lives are at risk as the village folk, who seem hospitable if rather strange, await them when most vulnerable, at night. One by one, members of this group of outsiders fall prey to The Countess and her minions. Luis(Franco regular Jack Taylor), a traveler passing through, falls in love with Alma(Dyanik Zurakowska)and believes that the people of the village are not who they appear. His car was tampered with and fixing the cut wire will be a top priority so that Luis and, the ever-frightened Alma, can get out of this place before they are doomed like the others.

Director León Klimovsky, known for his films starring Paul Naschy, attempts to develop an atmospheric horror film regarding trapped outsiders in a hostile place where vampiric citizens are around every corner. The vampires of this particular film are more in spirit with Romero's zombies with how they rush human victims, how their hands grab across the terrified faces of those screaming for help that will not arrive, and especially how León Klimovsky photographs their faces coming towards the screen. There's little to no blood, quite an anemic vampire film. The Countess only really conquers one victim with her bite, before tossing his torso over her bedroom's ledge for her blood-thirsty brood. She makes an appearance once as a seemingly generous host to the group with a supposed bus that can not crank. Later, The Countess appears again, exiting her crypt and eventually hopping in the backseat of Luis' car attempting to thwart their escape. Little nudity, merely a brief glimpse of Zurakowska's breasts, with Taylor's Luis spying on her through a torn hole which eyeballs directly into her bedroom. The night attacks are what I thought worked best while the tacky jazzy elevator musical score(s)leave anything to be desired. Quite low budget, with an twist ending that isn't needed and feels forced so that we are left wondering if what we saw was real or imagined. Liné, as the vampiric Countess, has a sex scene with a potential victim, but nothing is elaborated. Perhaps the most horrifying scene is the accidental suffocation of a young girl. Despite how lurid the title sounds, this really isn't that exploitive.
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