When you mention the words 'Indian cinema' to most people, (and disturbingly, a large proportion of film fans) often the first reaction will be that of a smirk intrinsically linked with a conjuring thought of the 'Bollywood' industry.
Most people do not realise that Indian cinema as an industry is the second largest grossing cinema industry in the world, second only to the American giant that is Hollywood. Ever since the early days of the multiplex, Indian cinema has been dominating the cinematic machine, early films often dealt with social and economic strikes (mostly the 50's and before) with the Indian cinema moving more towards the romantic feature which most people associate in the mid 60's. As the decades passed by, the Indian film industry moved, as a whole, through several topics and thought provoking genres (of course a LOT of crap was released as well; this is the typical all singing all dancing 5 hour epic which most people associate Indian cinema with) until in the 90's, film makers finally started focusing on terrorism as a genre, and in particular the strife and violence engaged between Hindus and Muslims within the Tamil speaking area of India.
Bombay begins as your typical Indian romance; the protagonist male and female fall in love yet are separated by different religions and families. After a moving Eden like opening song number, the two work hard to stay together through their families approval, eventually moving away form their small villages and into the city of Bombay.
After an interval, the film takes a much darker tone, focusing primarily on the Bombay bombings and showing how the couple (now with children) are caught up within the racial attacks. Strikingly disturbing and realistic (one scene involves radicals pouring gasoline over the two crying children as they refuse to speak which religion they belong to) the film touches on dangerous soil as it shows the riots with no remorse or sugar coating. The lead actor delivers a compelling performance and in the end delivers an incredible speech in the middle of the riots, putting himself between the warring factions screaming 'I am neither Hindu or Muslim; I am Indian, we are all Indians!' A must watch for someone interested in good Indian cinema.
Most people do not realise that Indian cinema as an industry is the second largest grossing cinema industry in the world, second only to the American giant that is Hollywood. Ever since the early days of the multiplex, Indian cinema has been dominating the cinematic machine, early films often dealt with social and economic strikes (mostly the 50's and before) with the Indian cinema moving more towards the romantic feature which most people associate in the mid 60's. As the decades passed by, the Indian film industry moved, as a whole, through several topics and thought provoking genres (of course a LOT of crap was released as well; this is the typical all singing all dancing 5 hour epic which most people associate Indian cinema with) until in the 90's, film makers finally started focusing on terrorism as a genre, and in particular the strife and violence engaged between Hindus and Muslims within the Tamil speaking area of India.
Bombay begins as your typical Indian romance; the protagonist male and female fall in love yet are separated by different religions and families. After a moving Eden like opening song number, the two work hard to stay together through their families approval, eventually moving away form their small villages and into the city of Bombay.
After an interval, the film takes a much darker tone, focusing primarily on the Bombay bombings and showing how the couple (now with children) are caught up within the racial attacks. Strikingly disturbing and realistic (one scene involves radicals pouring gasoline over the two crying children as they refuse to speak which religion they belong to) the film touches on dangerous soil as it shows the riots with no remorse or sugar coating. The lead actor delivers a compelling performance and in the end delivers an incredible speech in the middle of the riots, putting himself between the warring factions screaming 'I am neither Hindu or Muslim; I am Indian, we are all Indians!' A must watch for someone interested in good Indian cinema.