..........or: "Fred Discovers He's Been Missing Something" (alternate title for this Comment).
This is a love story........a falling-in-love story. Yes, it's a love story, pure and simp.... Oh, wait, it's not so simple after all. Just think how shattering it must be to have spent the majority of your adult life in a happy and loving heterosexual marriage.......only to have a day come along, like any ordinary day, until it changes to one in which you meet a someone of the same sex, and unexpectedly there starts the beginnings of a new love.
In this "typically French" film, we're fairly quickly introduced to two men: Frederic ("F"), a seemingly happily married man with wife (Frederique), child and extended family residing in their vacation villa. We first see scenes not only of this fairly large group's family interactions, but also intimate interludes between just this man and his wife. Closeness, caressing and kissing abound in this couple's first scenes (but, wait.......we then discover that physical intercourse, on his part, seems to have become difficult to achieve). We then meet our second male lead, Hugo ("H"), a graphic designer who resides next door. He's an unashamedly "out" gay man who, through the course of the film, becomes as increasingly fascinating to our villa resident as that vacationer becomes to him. "H" is a man who happily and easily frequents a local gay bar, as well as "entertains" a string of handsome young men in his home. One of the first times we and Frederic are invited into H's home/studio we are confronted by a stunningly beautiful young god of a man----nude and seemingly levitated far above our heads in a semi-fetal sleeping position. It is an image that any famed museum/gallery in the world would die for. There is also an hours long conversation between just these two men, touching on life philosophy and love among other areas. We look in on it at various points throughout the entire film. It's during these hours, as their comfort with one another deepens, that we watch as Hugo becomes more touchy-feely with Frederic, who himself becomes more comfortably at ease. Revealingly, we then witness their time together coming to its early morning conclusion, with "H" leaving for home, while softly voicing to "F" the ultimate in personal compliments. I must ask here what would be your reaction, dear reader, if your newfound and liked, departing companion directed to you the words, "You're devastating?" Ah, yes.......well, for Frederic it obviously becomes the start of something completely new and different in his life.
Complimenting these intensely personal and emotional scenes, there is a stunningly beautiful progression of outdoor / landscape scenes, one in particular showing a morning run, ankle-injured Frederic being carried home on Hugo's back, wending their way through a very large field of what appears to be blooming garlic (unusually lovely, to say the least), and then through a huge and magnificent field of sunflower blooms. Tellingly, "F's" arms are clasped around "H's" shoulders and neck, with the side of his face resting against the back of Hugo's head (and this is the scene unhappy wife, Frederique, sees upon their arrival at the villa). Shortly follows a quickening of the recuperating Frederic's feelings for the other man as we see him, half dozing on a patio lounge chair, sensing the presence of another, and finally opening his eyes to a quietly arrived and serious faced Hugo. A smile slowly lighting his features, "H" utters: "I came to see about you. I'll get back to work now." The look of self-satisfaction then appearing on "F's" face tells us more than could a thousand words.
Perhaps the most significant indication of the depth of growth in the relationship of these two men occurs near film's end, upon Frederic's learning of Hugo's impending temporary departure from the area. Limping his way to seek out "H," he finds him outside the area's gay nightclub. Responding to Hugo's questions, "Why did you come? Why are you here? You want to tell me something?" Frederic responds: "You're leaving...." Frederic then approaches "H" to bring them standing as physically close as possible, forehead to forehead, eyes closed. After a few moments, "F" turns suddenly and departs (it is this scene's DVD Chapter heading that the film director has labeled: "In Love"----methinks she knows of what she speaks).
Lastly, having just shortly ago spoken of Frederique ("F's" spouse), this movie can be pretty much described as one, long downhill slide for her, emotionally and relationship-wise. Her last scenes are ones of frantic---and nude---ravings over her perceived connubial losses.
AND, as to what Fred's future lifestyle plans for himself are, you'll have to watch this film and decide for yourself. To help you through this a little, in his last scene he does say to his sleeping, small son: "I'm wobbly, imperfect, broken pawed, heart-in-tatters. I love you, but know I still have to grow up. I'll come back. I'll come back to spar with you again."
So, dear readers of this page and viewers of this film, what do you think is the meaning of his final words........and what can they possibly portend for Hugo?
(NOTE: There are some film negatives---a number of surreal-ish camera shots with little or no accompanying explanation. While sometimes pretty and catching, they do distract from forward movement, as do a number of, frankly, unneeded family activity scenes.)
PS--If you're wondering about this Comment's title ("...little chair by the bed"), you'll just have to check out the film for yourself. Happy viewing.
PPS--This film is becoming "Addictive" to me. ***Other such habit formers: "Just A Question Of Love" (Wow) / "Brokeback Mountain" / "Boy Culture" / "All Over The Guy" / "Second Skin" / "The Man I Love" / "Latter Days" / "The Mudge Boy".
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This is a love story........a falling-in-love story. Yes, it's a love story, pure and simp.... Oh, wait, it's not so simple after all. Just think how shattering it must be to have spent the majority of your adult life in a happy and loving heterosexual marriage.......only to have a day come along, like any ordinary day, until it changes to one in which you meet a someone of the same sex, and unexpectedly there starts the beginnings of a new love.
In this "typically French" film, we're fairly quickly introduced to two men: Frederic ("F"), a seemingly happily married man with wife (Frederique), child and extended family residing in their vacation villa. We first see scenes not only of this fairly large group's family interactions, but also intimate interludes between just this man and his wife. Closeness, caressing and kissing abound in this couple's first scenes (but, wait.......we then discover that physical intercourse, on his part, seems to have become difficult to achieve). We then meet our second male lead, Hugo ("H"), a graphic designer who resides next door. He's an unashamedly "out" gay man who, through the course of the film, becomes as increasingly fascinating to our villa resident as that vacationer becomes to him. "H" is a man who happily and easily frequents a local gay bar, as well as "entertains" a string of handsome young men in his home. One of the first times we and Frederic are invited into H's home/studio we are confronted by a stunningly beautiful young god of a man----nude and seemingly levitated far above our heads in a semi-fetal sleeping position. It is an image that any famed museum/gallery in the world would die for. There is also an hours long conversation between just these two men, touching on life philosophy and love among other areas. We look in on it at various points throughout the entire film. It's during these hours, as their comfort with one another deepens, that we watch as Hugo becomes more touchy-feely with Frederic, who himself becomes more comfortably at ease. Revealingly, we then witness their time together coming to its early morning conclusion, with "H" leaving for home, while softly voicing to "F" the ultimate in personal compliments. I must ask here what would be your reaction, dear reader, if your newfound and liked, departing companion directed to you the words, "You're devastating?" Ah, yes.......well, for Frederic it obviously becomes the start of something completely new and different in his life.
Complimenting these intensely personal and emotional scenes, there is a stunningly beautiful progression of outdoor / landscape scenes, one in particular showing a morning run, ankle-injured Frederic being carried home on Hugo's back, wending their way through a very large field of what appears to be blooming garlic (unusually lovely, to say the least), and then through a huge and magnificent field of sunflower blooms. Tellingly, "F's" arms are clasped around "H's" shoulders and neck, with the side of his face resting against the back of Hugo's head (and this is the scene unhappy wife, Frederique, sees upon their arrival at the villa). Shortly follows a quickening of the recuperating Frederic's feelings for the other man as we see him, half dozing on a patio lounge chair, sensing the presence of another, and finally opening his eyes to a quietly arrived and serious faced Hugo. A smile slowly lighting his features, "H" utters: "I came to see about you. I'll get back to work now." The look of self-satisfaction then appearing on "F's" face tells us more than could a thousand words.
Perhaps the most significant indication of the depth of growth in the relationship of these two men occurs near film's end, upon Frederic's learning of Hugo's impending temporary departure from the area. Limping his way to seek out "H," he finds him outside the area's gay nightclub. Responding to Hugo's questions, "Why did you come? Why are you here? You want to tell me something?" Frederic responds: "You're leaving...." Frederic then approaches "H" to bring them standing as physically close as possible, forehead to forehead, eyes closed. After a few moments, "F" turns suddenly and departs (it is this scene's DVD Chapter heading that the film director has labeled: "In Love"----methinks she knows of what she speaks).
Lastly, having just shortly ago spoken of Frederique ("F's" spouse), this movie can be pretty much described as one, long downhill slide for her, emotionally and relationship-wise. Her last scenes are ones of frantic---and nude---ravings over her perceived connubial losses.
AND, as to what Fred's future lifestyle plans for himself are, you'll have to watch this film and decide for yourself. To help you through this a little, in his last scene he does say to his sleeping, small son: "I'm wobbly, imperfect, broken pawed, heart-in-tatters. I love you, but know I still have to grow up. I'll come back. I'll come back to spar with you again."
So, dear readers of this page and viewers of this film, what do you think is the meaning of his final words........and what can they possibly portend for Hugo?
(NOTE: There are some film negatives---a number of surreal-ish camera shots with little or no accompanying explanation. While sometimes pretty and catching, they do distract from forward movement, as do a number of, frankly, unneeded family activity scenes.)
PS--If you're wondering about this Comment's title ("...little chair by the bed"), you'll just have to check out the film for yourself. Happy viewing.
PPS--This film is becoming "Addictive" to me. ***Other such habit formers: "Just A Question Of Love" (Wow) / "Brokeback Mountain" / "Boy Culture" / "All Over The Guy" / "Second Skin" / "The Man I Love" / "Latter Days" / "The Mudge Boy".
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