It's a pity this film will not be more widely seen. It is an authentic demonstration of what it's like to live with one of the most enigmatic of mental disorders, autism, which afflicts about one person in 1000 (the more common and milder Asperger's syndrome affects about 6 in every thousand). Elissa Down, the maker of the film, has personal experience – two of her brothers are autistic – and with the aid of some truly accomplished acting she avoids cheap dramatics and conveys some genuine feeling.
The family portrayed has its eccentricities but you could not describe it as dysfunctional. Dad (Eric Thompson) and Mum (Tony Collette) not only have a strong love for their autistic teenager Charlie (Luke Ford) but they have learned to cope with his behaviour. The dramatic tension comes from younger brother Thomas (Rhys Wakefield) who loves the brother he has grown up with but finds the effect Charlie's' behaviour has on other people hard to take. Charlie has a few less than endearing habits like throwing tantrums at supermarket checkouts and bursting into other people's houses to use their toilet. The general adolescent horror of people who are different doesn't help much either – having a "spastic" as a brother is not good for the image. Yet Thomas's developing relationship with neighbour and fellow lifesaving squad member Jackie (Gemma Ward) gets a positive push from his situation.
As director, Elissa Down has a nice light touch, and the prejudice and distaste the family have to deal with are neatly sketched in. There are plenty of amusing moments; when a fight breaks out in a bus queue outside a high school several male teachers try ineffectually to stop it and it is the tiny but determined female lifesaving coach who, furiously blowing her whistle, restores order. Tough army NCO Dad holds conversations with his teddy bear and the two brothers wind up on stage together as dancing monkeys after Charlie's original partner throws a tantrum.
It has been suggested that autism, which has a strong genetic component, is a variation on normal rather than a defect, but its severely disabling nature means it has to be regarded as a malfunction. Autistic savants with freakish mathematic powers a la "Rainman" are extremely rare. People with mild forms of autism can function quite well in society, but Charlie is not one of those and will require care for the rest of his life. All this film is asking is for a little understanding of the pressures on families who have to support people like Charlie. I wish one of the commercial channels would show this in prime time instead of the usual reality show crap.
The family portrayed has its eccentricities but you could not describe it as dysfunctional. Dad (Eric Thompson) and Mum (Tony Collette) not only have a strong love for their autistic teenager Charlie (Luke Ford) but they have learned to cope with his behaviour. The dramatic tension comes from younger brother Thomas (Rhys Wakefield) who loves the brother he has grown up with but finds the effect Charlie's' behaviour has on other people hard to take. Charlie has a few less than endearing habits like throwing tantrums at supermarket checkouts and bursting into other people's houses to use their toilet. The general adolescent horror of people who are different doesn't help much either – having a "spastic" as a brother is not good for the image. Yet Thomas's developing relationship with neighbour and fellow lifesaving squad member Jackie (Gemma Ward) gets a positive push from his situation.
As director, Elissa Down has a nice light touch, and the prejudice and distaste the family have to deal with are neatly sketched in. There are plenty of amusing moments; when a fight breaks out in a bus queue outside a high school several male teachers try ineffectually to stop it and it is the tiny but determined female lifesaving coach who, furiously blowing her whistle, restores order. Tough army NCO Dad holds conversations with his teddy bear and the two brothers wind up on stage together as dancing monkeys after Charlie's original partner throws a tantrum.
It has been suggested that autism, which has a strong genetic component, is a variation on normal rather than a defect, but its severely disabling nature means it has to be regarded as a malfunction. Autistic savants with freakish mathematic powers a la "Rainman" are extremely rare. People with mild forms of autism can function quite well in society, but Charlie is not one of those and will require care for the rest of his life. All this film is asking is for a little understanding of the pressures on families who have to support people like Charlie. I wish one of the commercial channels would show this in prime time instead of the usual reality show crap.