I recently had the opportunity to view the original version of this TV movie and the re-edited two-part syndicated version back-to-back. At all costs, try to watch the original version instead of the terribly re-edited 2-parter. In order to fill up the running time of two regular episodes, the original tightly-paced telefilm is stretched beyond the breaking point with stock footage, repeated footage, and even footage taken from later seasons of the Six Million Dollar Man.
Among the many bits of padding, there's a confusing sequence showing Austin apparently training -- which is repeated at the start of Part 2. The scene where Austin escapes the exploding yacht is padded with footage from old World War II films (I'm serious), and when he wakes up on Alexei's boat, the editors inserted a recap, more or less, of the first TV movie. Which is great, except the clips show Martin Balsam as Rudy Wells and Darren McGavin as Oliver Spencer -- and in rest of Wine Women and War their characters were played by other actors (and Spencer was renamed Oscar Goldman, to boot). But the silliest and most distracting re-edit occurs when a nearly 90-second sequence of swordfish fishing is inserted between two lines of Austin's dialogue, using an obvious body double holding a fishing rod. It's awful and NOT recommend as something to show a newcomer you're trying to make a fan of SMDM.
The original TV movie, however, is a fascinating example of a TV series in development. The producers weren't quite sure how to develop Steve Austin for television. In Martin Caidin's Cyborg novels, Austin is depicted as a cold-blooded assassin in the Executioner mode, but he had to be lightened up considerably for TV. So producer Glen Larson decided to make Austin more TV-friendly by making him a bit of a James Bond clone in this second outing. It doesn't always work (especially when Austin wears the world's ugliest tux later in the film), but the result is still entertaining, though one is advised to turn one's brain off during the latter part of the proceedings, especially at the end.
This was Richard Anderson's first appearance as Oscar Goldman, and there are still some rough edges in not only his portrayal, but Oscar's relationship with Steve. There's still a lot of mistrust and manipulation going on -- quite a contrast when compared to the first regular hour-long episodes that followed only a few months later. Comparing the James Bond-like approach of this TV movie with the more traditional Six Million Dollar Man missions that followed is an interesting exercise.
Wine Women & War may not be an example of 1970s TV at its best, but it's fun, and seeing it recently reminded me of why Steve Austin was my childhood hero. Just steer clear of the re-edited version if you can. Needless to say, my ranking of 7 is based upon the original telefilm. The reedited version is so badly done, I'd give it a 3.
Among the many bits of padding, there's a confusing sequence showing Austin apparently training -- which is repeated at the start of Part 2. The scene where Austin escapes the exploding yacht is padded with footage from old World War II films (I'm serious), and when he wakes up on Alexei's boat, the editors inserted a recap, more or less, of the first TV movie. Which is great, except the clips show Martin Balsam as Rudy Wells and Darren McGavin as Oliver Spencer -- and in rest of Wine Women and War their characters were played by other actors (and Spencer was renamed Oscar Goldman, to boot). But the silliest and most distracting re-edit occurs when a nearly 90-second sequence of swordfish fishing is inserted between two lines of Austin's dialogue, using an obvious body double holding a fishing rod. It's awful and NOT recommend as something to show a newcomer you're trying to make a fan of SMDM.
The original TV movie, however, is a fascinating example of a TV series in development. The producers weren't quite sure how to develop Steve Austin for television. In Martin Caidin's Cyborg novels, Austin is depicted as a cold-blooded assassin in the Executioner mode, but he had to be lightened up considerably for TV. So producer Glen Larson decided to make Austin more TV-friendly by making him a bit of a James Bond clone in this second outing. It doesn't always work (especially when Austin wears the world's ugliest tux later in the film), but the result is still entertaining, though one is advised to turn one's brain off during the latter part of the proceedings, especially at the end.
This was Richard Anderson's first appearance as Oscar Goldman, and there are still some rough edges in not only his portrayal, but Oscar's relationship with Steve. There's still a lot of mistrust and manipulation going on -- quite a contrast when compared to the first regular hour-long episodes that followed only a few months later. Comparing the James Bond-like approach of this TV movie with the more traditional Six Million Dollar Man missions that followed is an interesting exercise.
Wine Women & War may not be an example of 1970s TV at its best, but it's fun, and seeing it recently reminded me of why Steve Austin was my childhood hero. Just steer clear of the re-edited version if you can. Needless to say, my ranking of 7 is based upon the original telefilm. The reedited version is so badly done, I'd give it a 3.