It was a huge blow when the news of Brandon Lee's death made headlines in the mid 1990s. The fact that the guy never managed to fulfil his opportunities as a successful action movie star and follow in the footsteps of his dad in that particular sense was tragic, considering just how good he was on screen. Showdown In Little Tokyo was a C-list martial arts epic, whilst The Crow- Brandon's very last movie he had starred in, was a horror movie, which whilst his martial arts skills were relatively limited, he still manage to display his acting graft as well as to show that he can act, in addition to kicking arse.
Rapid Fire came out in 1992 amidst his previous effort, his collaboration with Dolph Lundgren entitled: 'Showdown in Little Tokyo', which was released the year before. In this movie, Brandon plays art student Jake Lo, who witnesses a murder and afterwards, finds himself on the run from a gang of evil drug lords, as well as a bunch of two-faced, backstabbing cops, of whom are enlisted and supposed to protect Jake but who turn out to be doing the dirty work for the bad guys. Thankfully, he has a good cop on his side and together, the pair, despite their dislike for one another, work together to bring them to justice.
American martial arts films tend to be rather forgettable, run-of-the mill type of movies compared to the Hong Kong, Kung Fu-based flicks, but Rapid Fire in contrast is one of the much better efforts. It is action-packed, explosive and Brandon is not that bad of a fighter. He is exceedingly good and manages to combine his late father's trademark moves and aggression with Jackie Chan's athleticism, and his fast and frenetic movements. Another leaf he has taken out of his text book is when he takes an object and smashes it on his opponents head, for example.
This is a good martial arts movie; alas, it is a glimpse of how great Brandon was and how great could have been and how far his career might have gone- had he still been alive today
Rapid Fire came out in 1992 amidst his previous effort, his collaboration with Dolph Lundgren entitled: 'Showdown in Little Tokyo', which was released the year before. In this movie, Brandon plays art student Jake Lo, who witnesses a murder and afterwards, finds himself on the run from a gang of evil drug lords, as well as a bunch of two-faced, backstabbing cops, of whom are enlisted and supposed to protect Jake but who turn out to be doing the dirty work for the bad guys. Thankfully, he has a good cop on his side and together, the pair, despite their dislike for one another, work together to bring them to justice.
American martial arts films tend to be rather forgettable, run-of-the mill type of movies compared to the Hong Kong, Kung Fu-based flicks, but Rapid Fire in contrast is one of the much better efforts. It is action-packed, explosive and Brandon is not that bad of a fighter. He is exceedingly good and manages to combine his late father's trademark moves and aggression with Jackie Chan's athleticism, and his fast and frenetic movements. Another leaf he has taken out of his text book is when he takes an object and smashes it on his opponents head, for example.
This is a good martial arts movie; alas, it is a glimpse of how great Brandon was and how great could have been and how far his career might have gone- had he still been alive today