David Lean's film version of the Arthur Laurents Broadway play, THE TIME OF THE CUCKOO, which starred Shirley Booth, is a shimmering and beautiful valentine set in Venice, but one with a touch of realism.
Katharine Hepburn stars as a mousy secretary from Akron who saves for years to have an adventure. She's a spunky and self-sufficient gal who secretly yearns to find love. She arrives in Venice and is immediately under the city's spell even though she's always running into a crass, older couple from Illinois. As she wanders the city, she's befriended by a tough little boy who is savvy in the way of tourists and life.
She spots a man (Rossano Brazzi) several times in San Marco plaza and one day wanders into his shop to buy a red goblet. She is stunned that the owner is the same man. He pursues her but her puritanical streak flares up when she discovers he is unhappily married.
She discovers all sorts of things about the owner of the pensione (Isa Miranda) and other guests (Darren McGavin, Mari Aldon) and even herself when she finds out what she's willing to settle for.
The ending at the train station is beautifully shot and justifiably famous. Indeed, the entire film is an eyeful of beauty, and Venice, with its canals, bridges, and ancient towers is breathtaking. The film also contains the famous scene where Hepburn falls into the canal. In Kevin Brownlow's biography of David Lean, the director admits that there were nets in the water to prevent Hepburn from sinking to the bottom of the canal which was full of garbage.
This is a stunningly beautiful film, a romance for adults. with a slim story that boasts great performances from Hepburn and Brazzi. The supporting cast is also very good, including Jane Rose and MacDonald Parke as the tourists, Jeremy Spencer as Brazzi's son, Andre Morell as the man on the train, and Gaetano Autiero as the street kid.
Although Shirley Booth had originated the role on Broadway, she was considered too old for the movie version. Indeed, Ingrid Bergman and Olivia de Havilland were early front runners for the role of Jane. Others who expressed interest included Susan Hayward, Joan Fontaine, Bette Davis, Gloria Swanson, Dorothy McGuire, Rita Hayworth, Lizabeth Scott, and Jane Wyman.
Hepburn won an Oscar nomination for her work.
Katharine Hepburn stars as a mousy secretary from Akron who saves for years to have an adventure. She's a spunky and self-sufficient gal who secretly yearns to find love. She arrives in Venice and is immediately under the city's spell even though she's always running into a crass, older couple from Illinois. As she wanders the city, she's befriended by a tough little boy who is savvy in the way of tourists and life.
She spots a man (Rossano Brazzi) several times in San Marco plaza and one day wanders into his shop to buy a red goblet. She is stunned that the owner is the same man. He pursues her but her puritanical streak flares up when she discovers he is unhappily married.
She discovers all sorts of things about the owner of the pensione (Isa Miranda) and other guests (Darren McGavin, Mari Aldon) and even herself when she finds out what she's willing to settle for.
The ending at the train station is beautifully shot and justifiably famous. Indeed, the entire film is an eyeful of beauty, and Venice, with its canals, bridges, and ancient towers is breathtaking. The film also contains the famous scene where Hepburn falls into the canal. In Kevin Brownlow's biography of David Lean, the director admits that there were nets in the water to prevent Hepburn from sinking to the bottom of the canal which was full of garbage.
This is a stunningly beautiful film, a romance for adults. with a slim story that boasts great performances from Hepburn and Brazzi. The supporting cast is also very good, including Jane Rose and MacDonald Parke as the tourists, Jeremy Spencer as Brazzi's son, Andre Morell as the man on the train, and Gaetano Autiero as the street kid.
Although Shirley Booth had originated the role on Broadway, she was considered too old for the movie version. Indeed, Ingrid Bergman and Olivia de Havilland were early front runners for the role of Jane. Others who expressed interest included Susan Hayward, Joan Fontaine, Bette Davis, Gloria Swanson, Dorothy McGuire, Rita Hayworth, Lizabeth Scott, and Jane Wyman.
Hepburn won an Oscar nomination for her work.