There could at last be a satisfying adaptation of this classic novel of the Jazz Age if the two half-good versions were combined, keeping from each the best. We would keep the sets, costumes, musical score and performances by Sam Waterston, Howard Da Silva and some others from the 1974 mega- production, and from this extremely modest but more literary adaptation, keep Mira Sorvino's Daisy Buchanan, Martin Donovan's Tom and the liberal sprinkling of Scott Fitzgerald's polished prose.
As Daisy, a "beautiful little fool", the Harvard educated Ms. Sorvino is not ideal but more convincing than Mia Farrow--who was too English and looked actually old though I understand now she was pregnant, and only 28.
The best performance here was by Martin Donovan, familiar to television audiences by face if not by name, and that is the problem. His Tom Buchanan is sensitive and restrained, in fact too sympathetic for the bigoted bully and skirt chaser he is supposed to be portraying. Donovan steals every scene from the inexperienced Toby Stephens and when Daisy is won back, the viewer can believe it is because Tom is really the better man. This totally distorts what author Scott Fitzgerald was saying.
Daisy Buchanan stays with Tom because she has chosen respectability over love, making her even more rotten than her husband and quite undeserving of The Great Gatsby.
As Daisy, a "beautiful little fool", the Harvard educated Ms. Sorvino is not ideal but more convincing than Mia Farrow--who was too English and looked actually old though I understand now she was pregnant, and only 28.
The best performance here was by Martin Donovan, familiar to television audiences by face if not by name, and that is the problem. His Tom Buchanan is sensitive and restrained, in fact too sympathetic for the bigoted bully and skirt chaser he is supposed to be portraying. Donovan steals every scene from the inexperienced Toby Stephens and when Daisy is won back, the viewer can believe it is because Tom is really the better man. This totally distorts what author Scott Fitzgerald was saying.
Daisy Buchanan stays with Tom because she has chosen respectability over love, making her even more rotten than her husband and quite undeserving of The Great Gatsby.