This is one of the most unusual films of the independent years of Buster Keaton's career. While I loved the film (every minute of it), the film seemed less like a Keaton film and actually reminded me a lot of one of Harold Lloyd's best films, THE KID BROTHER. That's because both were period pieces set in the 19th century and both seemed to place more emphasis on character development than physical humor or gags. While I love the physical humor in his films like STEAMBOAT BILL JUNIOR, I really loved the gentle and sweet nature of this film as well. This film also seemed much more like a work of art--a simply magnificent looking film with exceptional cinematography and costumes. Also, the film focused much more on characterizations than stunts--and it's done in such a marvelous way that you won't be disappointed. In addition, while not a central focus of the film, watching the 1830-style train in the first portion of the film was a real treat.
See this and be amazed that Keaton could make a slightly slower-paced yet terrific film--one of his best yet also one of his most forgotten films. A must-see for lovers of silent cinema. Not just a great comedy but a great film.
See this and be amazed that Keaton could make a slightly slower-paced yet terrific film--one of his best yet also one of his most forgotten films. A must-see for lovers of silent cinema. Not just a great comedy but a great film.