When Shiota Akihiko's SFX heavy, horror fantasy "Dororo" hit theaters in Japan earlier this year it was a major box office hit for Toho studios and resonated well with Japanese audiences young and old alike.
Based on manga pioneer Tezuka Osamu's comic series of the same name, the story revolved around the exploits of a truly unique and tragic hero, Hyakkimaru (literally "Hundred Demons") who was cursed from birth and born a living husk (faceless, organ-less, limbless and all but a empty torso). His fate was sealed by his ambitious and tyrannical father Kagemitsu Daigo (portrayed by the great character actor Nakai Kiichi) who offered his unborn son's body to 48 demons in exchange for the power to dominate and conquer Japan (during the warring states period). Saved from death by his kind mother (Harada Mieko), he was left floating along a desolate river bank only to be found by a kindly shaman/inventor (Harada Yoshio), who "rebuilt" him into the semblance of a normal child a la Pinnochio (his body, limbs and internal organs were replaced by artificial tissue fashioned from the remains of fallen dead).
In time the young Hyakkimaru, learned to control his new body and began training under the shaman to become a living weapon (being artificial, he was impervious to pain and death. He was later outfitted with a "blessed" sword (bearing sacred Sanskrit text) which enabled him to slay demons with its blade.
Upon the death of the kindly mystic, Hyakkimaru learned about his true origins and sought out the 48 demons who were each in possession of a part of his true body. With each defeat of a demon, he was able to regain another part of his humanity. He was aided in his struggles by an orphaned teen whose parents were killed by Kagemitsu and his growing legions. While born a girl, she was reared as a boy in disguise. Having no name of her own, she adopted Hyakkimaru's "Dororo" nickname (a term used to refer to bastard demonic offspring).
"Dororo" is a pure popcorn movie fantasy in the same spirit as such 80's sword/sorcery fantasies like "Willow", "Legend" and "Highlander".
It also comes with little surprise that the film is reminiscent of the popular Hong Kong fantasy film trilogy of the late 80s, "Chinese Ghost Story" as Siu-Tung Ching is the film's action/stunt coordinator. I reckon however that Ching's influence extended beyond just directing the unique blend of inventive "wushu" style action and also showed itself in some of the monster designs and inventive set pieces.
The visual effects are also another great aspect of the film albeit they range from impressive CGI to silly costume effects similar to the stuff you would find on typical Saturday "Tokusatsu" (Live Action) TV. They are most certainly a step above the effects found in this year's similar movie "Mushishi".
The New Zealand location and scenery is gorgeous and really adds to the surreal surroundings of the world of "Dororo".
Thankfully, Shiota's breezy pacing of the film offsets the film's almost 139 minute run time.
Tsumabuki Satoshi (Dragon Head, Nada Sou Sou) is likable in his role as hero Hyakkimaru and brings a strong sense of charm with the role even though his dialog is very limited. Shibasaki Kou (Battle Royale, Memories of Matsuko, Nihon Chimbotsu) is also quite good in her role as "Dororo" albeit some may find her comedic rantings and antics to be grating after a while.
Nakai Kiichi (Owl's Castle, Hotaru) is menacing in his role as Kagemitsu but he doesn't really get the chance to develop the role beyond the stereotypical megalomaniac caricature. Eita (Memories of Matsuko, Tokyo Friends:The Movie) who portrays Tahoumaru (Hyakkimaru's step brother) fairs a little better with his semi-sympathetic role.
Many will find the final half of the movie a bit of a disappointment as the promise of a grand showdown between Kagemitsu and Hyakkimaru never materializes and what we get instead is a truncated battle that ends far too quickly to satisfy.
The end leaves open the opportunity for a sequel but it remains to be seen whether or not future directors can go beyond the "monster of the week" formula of demon battles and explore Hyakkimaru's unique story of trying to regain his humanity and become more "human".
Based on manga pioneer Tezuka Osamu's comic series of the same name, the story revolved around the exploits of a truly unique and tragic hero, Hyakkimaru (literally "Hundred Demons") who was cursed from birth and born a living husk (faceless, organ-less, limbless and all but a empty torso). His fate was sealed by his ambitious and tyrannical father Kagemitsu Daigo (portrayed by the great character actor Nakai Kiichi) who offered his unborn son's body to 48 demons in exchange for the power to dominate and conquer Japan (during the warring states period). Saved from death by his kind mother (Harada Mieko), he was left floating along a desolate river bank only to be found by a kindly shaman/inventor (Harada Yoshio), who "rebuilt" him into the semblance of a normal child a la Pinnochio (his body, limbs and internal organs were replaced by artificial tissue fashioned from the remains of fallen dead).
In time the young Hyakkimaru, learned to control his new body and began training under the shaman to become a living weapon (being artificial, he was impervious to pain and death. He was later outfitted with a "blessed" sword (bearing sacred Sanskrit text) which enabled him to slay demons with its blade.
Upon the death of the kindly mystic, Hyakkimaru learned about his true origins and sought out the 48 demons who were each in possession of a part of his true body. With each defeat of a demon, he was able to regain another part of his humanity. He was aided in his struggles by an orphaned teen whose parents were killed by Kagemitsu and his growing legions. While born a girl, she was reared as a boy in disguise. Having no name of her own, she adopted Hyakkimaru's "Dororo" nickname (a term used to refer to bastard demonic offspring).
"Dororo" is a pure popcorn movie fantasy in the same spirit as such 80's sword/sorcery fantasies like "Willow", "Legend" and "Highlander".
It also comes with little surprise that the film is reminiscent of the popular Hong Kong fantasy film trilogy of the late 80s, "Chinese Ghost Story" as Siu-Tung Ching is the film's action/stunt coordinator. I reckon however that Ching's influence extended beyond just directing the unique blend of inventive "wushu" style action and also showed itself in some of the monster designs and inventive set pieces.
The visual effects are also another great aspect of the film albeit they range from impressive CGI to silly costume effects similar to the stuff you would find on typical Saturday "Tokusatsu" (Live Action) TV. They are most certainly a step above the effects found in this year's similar movie "Mushishi".
The New Zealand location and scenery is gorgeous and really adds to the surreal surroundings of the world of "Dororo".
Thankfully, Shiota's breezy pacing of the film offsets the film's almost 139 minute run time.
Tsumabuki Satoshi (Dragon Head, Nada Sou Sou) is likable in his role as hero Hyakkimaru and brings a strong sense of charm with the role even though his dialog is very limited. Shibasaki Kou (Battle Royale, Memories of Matsuko, Nihon Chimbotsu) is also quite good in her role as "Dororo" albeit some may find her comedic rantings and antics to be grating after a while.
Nakai Kiichi (Owl's Castle, Hotaru) is menacing in his role as Kagemitsu but he doesn't really get the chance to develop the role beyond the stereotypical megalomaniac caricature. Eita (Memories of Matsuko, Tokyo Friends:The Movie) who portrays Tahoumaru (Hyakkimaru's step brother) fairs a little better with his semi-sympathetic role.
Many will find the final half of the movie a bit of a disappointment as the promise of a grand showdown between Kagemitsu and Hyakkimaru never materializes and what we get instead is a truncated battle that ends far too quickly to satisfy.
The end leaves open the opportunity for a sequel but it remains to be seen whether or not future directors can go beyond the "monster of the week" formula of demon battles and explore Hyakkimaru's unique story of trying to regain his humanity and become more "human".