Supposedly, this film was suppressed in the USA because it came out in favor of the Communists. I just watched it today, and I can only remember one faint mention of the Russians (and don't forget, they were our allies at the time!). What must have really irked McCarthy was this film's scathing portrayal of those who snitch on their friends and co-workers, and those who coerce them into doing so.
Gene Lockhart, whom I always think of as likable Bob Cratchit from the Reginald Owen "Christmas Carol," deserves high honors for his intense portrayal of a Czech traitor who works behind his neighbors' backs to betray them to the Nazi occupiers. Anna Lee is strong in her central role as the woman caught up in a dangerous plot. Many of the supporting characters also shine, such as Alexander Granach as the lusty Nazi enforcer Gruber. I couldn't quite warm up to Brian Donlevy in the central role. (He looks too much like an American businessman, like Raymond Bailey.) And Walter Brennan, although he looks great, seems out of place because of his heavy New England accent.
What makes this movie a standout is the script and direction. There's not a wasted moment in this long film, and plenty of interesting set pieces (the theater, the cab ride/street confrontation, etc.). Brecht and Lang weave a web that grows larger but not looser as the film progresses.
Gene Lockhart, whom I always think of as likable Bob Cratchit from the Reginald Owen "Christmas Carol," deserves high honors for his intense portrayal of a Czech traitor who works behind his neighbors' backs to betray them to the Nazi occupiers. Anna Lee is strong in her central role as the woman caught up in a dangerous plot. Many of the supporting characters also shine, such as Alexander Granach as the lusty Nazi enforcer Gruber. I couldn't quite warm up to Brian Donlevy in the central role. (He looks too much like an American businessman, like Raymond Bailey.) And Walter Brennan, although he looks great, seems out of place because of his heavy New England accent.
What makes this movie a standout is the script and direction. There's not a wasted moment in this long film, and plenty of interesting set pieces (the theater, the cab ride/street confrontation, etc.). Brecht and Lang weave a web that grows larger but not looser as the film progresses.