Wow, people sure do hate this movie. I don't understand why it has engendered such hostility. I mean, I can see problems in the movie that people could object to, but people are calling this the worst movie in years and the like, and I find that completely out of proportion.
So here's what I think: Direction Shyamalan has made movies before featuring ostensible everyman types, but this time he has moved away from Hollywood-everyman to a genuine everyman by casting Paul Giamatti as a sad sack building super. Giamatti is likable and quite funny, and the movie starts off with a breezy humor that instantly made me like it.
There are problems when the plot kicks in with the appearance of a young woman named Story. It turns out she might be a creature called a narf from a Chinese fairytale, so the first problem is, narf isn't remotely Chinese-sounding.
Still, I liked the way the movie builds, as Giamatti tries to help her and discovers neighborliness and credulity aren't dead. I enjoy the movie's optimism about people even if I don't share in it, and I like the way he spreads his typical revelations throughout instead of sticking them all at the end.
While people have claimed the story is slow, I thought it was well paced. And while I can admit to many of the criticized plot holes, I just don't care; it had the feel of a little fairy tale of the modern age, which I found quite charming. And the movie is frequently amusing, which counts for a lot with me.
My main criticism is that Lady in the Water would be a much better film with two minutes taken out. Shyamalan decided to savage movie critics, apparently stung by the deserved panning of The Village (which inexplicably received more positive criticism than this film). That's fine in itself, but in one scene Shyamalan simply steps outside of the movie to make fun of the critic. In itself it's a rather amusing scene, but you don't carefully create an atmosphere and encourage a suspension of disbelief and then just shock the audience into the real world in a petty act of vengeance. Shyamalan ignores one of the fundamental rules of film making; if any scene, even if it's the best scene in the film, takes away from the whole, you cut it. I'm very disappointed in Shamalyan for allowing his bitterness to trump his common sense.
It's a small thing, and I won't say it ruined the movie, but it was jarring. And perhaps that's part of why the reviews are so bad, because that scene made people drifting along on the movie's logic snap awake and start thinking about everything that was wrong. Although that's just a theory. Anyway, cut out that two minutes and it would be a considerable improvement.
As for people complaining the movie isn't that scary, well, I don't think it was trying to be that scary. I do think the director's intent is more important than what he's done in other movies. Just because he usually tries to scare us doesn't mean he is this time; I think he was just going for some mild suspense.
Anyway, while others are saying Shyamalan has lost it, but for me he's been consistent; one good movie, one bad one. Sixth Sense (great), Unbreakable (tedious, but interesting ending), Signs (good movie, tremendous ending), The Village (wretched) and Lady in the Water (funny and charming).
So I don't have high hopes for the next one, but this one was quite enjoyable.
So here's what I think: Direction Shyamalan has made movies before featuring ostensible everyman types, but this time he has moved away from Hollywood-everyman to a genuine everyman by casting Paul Giamatti as a sad sack building super. Giamatti is likable and quite funny, and the movie starts off with a breezy humor that instantly made me like it.
There are problems when the plot kicks in with the appearance of a young woman named Story. It turns out she might be a creature called a narf from a Chinese fairytale, so the first problem is, narf isn't remotely Chinese-sounding.
Still, I liked the way the movie builds, as Giamatti tries to help her and discovers neighborliness and credulity aren't dead. I enjoy the movie's optimism about people even if I don't share in it, and I like the way he spreads his typical revelations throughout instead of sticking them all at the end.
While people have claimed the story is slow, I thought it was well paced. And while I can admit to many of the criticized plot holes, I just don't care; it had the feel of a little fairy tale of the modern age, which I found quite charming. And the movie is frequently amusing, which counts for a lot with me.
My main criticism is that Lady in the Water would be a much better film with two minutes taken out. Shyamalan decided to savage movie critics, apparently stung by the deserved panning of The Village (which inexplicably received more positive criticism than this film). That's fine in itself, but in one scene Shyamalan simply steps outside of the movie to make fun of the critic. In itself it's a rather amusing scene, but you don't carefully create an atmosphere and encourage a suspension of disbelief and then just shock the audience into the real world in a petty act of vengeance. Shyamalan ignores one of the fundamental rules of film making; if any scene, even if it's the best scene in the film, takes away from the whole, you cut it. I'm very disappointed in Shamalyan for allowing his bitterness to trump his common sense.
It's a small thing, and I won't say it ruined the movie, but it was jarring. And perhaps that's part of why the reviews are so bad, because that scene made people drifting along on the movie's logic snap awake and start thinking about everything that was wrong. Although that's just a theory. Anyway, cut out that two minutes and it would be a considerable improvement.
As for people complaining the movie isn't that scary, well, I don't think it was trying to be that scary. I do think the director's intent is more important than what he's done in other movies. Just because he usually tries to scare us doesn't mean he is this time; I think he was just going for some mild suspense.
Anyway, while others are saying Shyamalan has lost it, but for me he's been consistent; one good movie, one bad one. Sixth Sense (great), Unbreakable (tedious, but interesting ending), Signs (good movie, tremendous ending), The Village (wretched) and Lady in the Water (funny and charming).
So I don't have high hopes for the next one, but this one was quite enjoyable.