Cary Grant is a noted surgeon traveling with his wife (Paula Raymond) in a Latin American country when there's a "Crisis." This 1950 black and white film also stars Jose Ferrer, Leon Ames, Ramon Novarro, and Gilbert Roland. Grant, as Dr. Ferguson, and his wife are trying to leave the country due to political unrest when they are kidnapped and brought to the home of the country's dictator, Raoul Farrago (Ferrer). There, they learn from his wife (Signe Hasso) that the leader is dying of a brain tumor, and options for an operation are few as no one wants him to live. Ferguson agrees on certain conditions. Ultimately, his wife is involved in a riot, and he sends her home. It isn't until the surgery is over that he learns that certain things have been kept from him.
This is actually a very good and underrated film, not the usual Cary Grant type of role or movie, which in itself should have sparked some interest when it was released. People know the handsome Grant and his debonair persona, his gift for physical comedy and the way he has with a line - but it's nice to remember occasionally that underneath all that star power and tailored suits there's a fine actor. Here he plays a man who makes a commitment to a patient he plainly doesn't like, and he has to fight to control his emotions. His anger over the situation makes this difficult. Ferrer is terrific as a violent man who thinks of his people as dumb children as he feathers his own nest with money that rightfully belongs to them. As his Evita-like wife, Signe Hasso has a chance to show her capabilities, and she's excellent - charming on the surface, worried about her husband, and hard as nails underneath. Hasso was a wonderful Swedish actress often relegated to B movies or to small roles in A films. Eventually she turned to theater and television. Here we see, had the roles been there for her, what a find she truly was.
It's always great to see old-timers Gilbert Roland and Ramon Novarro, the latter as Colonel Dragon, and the former as a revolutionary who wants Grant to kill Farrago on the operating table. Actually he's no better than Farrago, and Ferguson gets a bird's eye look at oppression politics.
A very good film; worth seeing for Grant, Ferrer and Hasso.
This is actually a very good and underrated film, not the usual Cary Grant type of role or movie, which in itself should have sparked some interest when it was released. People know the handsome Grant and his debonair persona, his gift for physical comedy and the way he has with a line - but it's nice to remember occasionally that underneath all that star power and tailored suits there's a fine actor. Here he plays a man who makes a commitment to a patient he plainly doesn't like, and he has to fight to control his emotions. His anger over the situation makes this difficult. Ferrer is terrific as a violent man who thinks of his people as dumb children as he feathers his own nest with money that rightfully belongs to them. As his Evita-like wife, Signe Hasso has a chance to show her capabilities, and she's excellent - charming on the surface, worried about her husband, and hard as nails underneath. Hasso was a wonderful Swedish actress often relegated to B movies or to small roles in A films. Eventually she turned to theater and television. Here we see, had the roles been there for her, what a find she truly was.
It's always great to see old-timers Gilbert Roland and Ramon Novarro, the latter as Colonel Dragon, and the former as a revolutionary who wants Grant to kill Farrago on the operating table. Actually he's no better than Farrago, and Ferguson gets a bird's eye look at oppression politics.
A very good film; worth seeing for Grant, Ferrer and Hasso.