Review of Stingaree

Stingaree (1934)
6/10
Preposterous, but enjoyable
22 April 2007
Based on a story by "Raffles" creator E. W. Hornung (brother-in-law of Sir Arthur Conan Doyle), directed by William A. Wellman and promoted as reuniting Irene Dunne (billed first this time) and Richard Dix from the cast of RKO's blockbuster "Cimarron," "Stingaree" is a ridiculous film but also an enjoyable one if you don't take it too seriously. True, it doesn't play to Wellman's strengths as a director (as the awesome, woefully underrated "Safe in Hell" had done a year earlier) or to Irene Dunne's talents as a comedienne, but her singing (her own voice; she was a fully trained operatic mezzo-soprano and had auditioned for the Met before signing with RKO) is gorgeous. Plot-wise this seems like a beta version of a Jeanette MacDonald-Nelson Eddy film — all it needed was a male star who could sing (or a voice double for Richard Dix) — and though the promise of the first reel that it was going to be "Cimarron" in Australia was not fulfilled, it was still a lot of fun. Incidentally, I wondered if any of it was inspired by the life of real-life diva Nellie Melba, the first international opera star to come from Australia. (There's been at least one other since: Joan Sutherland.)
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