10/10
The Brasher Doubloon, Film Noir with all it's magic, and plenty of pizazz to please that genre's true fans.
10 February 2007
Warning: Spoilers
Mysterious, Moody Mansions, juicy but unexpected villains, great characters, especially Florence Bates as the mother of the 'Poor little Rich Boy', played by youthful fresh-faced and very talented Conrad Janis, whose 'Peck's Bad Boy act', contrasted with his boyish charm, makes you not want him to be part of his mother's dark machinations, and murderous plot to drive poor Nancy Guild over the edge into madness. Nancy Guild's name may not have been as powerful a draw as Lauren Bacall's, or other sultry Film Noir Stars, and George Montgomery may not have had the 'gravitas' Humphrey Bogart so easily exuded, but together this movie is as thrilling these many years later, as our memories are of the more famous Film Noirs of the time. It is not a white knuckle ride, but it is insidiously unnerving, taut, 'shivery' and darkly sensual, and represents a classic style of filming which is layered with conventional ploys of the era in which it was created, but frankly so much more satisfying that most of today's lukewarm fare. Three cheers or 20 for this fun whodunit.
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