Speedily put into production in order to offer exhibitors a second-feature lure with bookings of The Brides of Dracula, this little movie suffers from a tedious First Act. The initial scenes were obviously designed merely to fill in time, so that latecomers would not feel at any disadvantage. We're told absolutely nothing that doesn't develop later on in the plot. A bit of judicious trimming here would do wonders. And in any event, Coleen Gray doesn't seem nearly old enough in these early scenes to make her motives credible. Fortunately, she is marvelously made-up later onand in these sequences she also gives by far the best performance of her career.
Despite Dein's flat-footed direction and the obvious constraints and inhibitions imposed by a tight "B" budget, interest is kept at a high level in the last half of the movie not only by Gray's forceful portrayal (and the skillful way she is lit and make-up) but by some neat yet unexpected plot twists
Alas, the film cheats on special effects, the transformations being accomplished without camera trickery in a most tame and disappointing manner.
Nonetheless, although horror devotees will find the going pretty dull until the halfway mark, the movie does eventually hit its stride. In fact, I'd describe it as a key item for any keen fan's personal collection.
Despite Dein's flat-footed direction and the obvious constraints and inhibitions imposed by a tight "B" budget, interest is kept at a high level in the last half of the movie not only by Gray's forceful portrayal (and the skillful way she is lit and make-up) but by some neat yet unexpected plot twists
Alas, the film cheats on special effects, the transformations being accomplished without camera trickery in a most tame and disappointing manner.
Nonetheless, although horror devotees will find the going pretty dull until the halfway mark, the movie does eventually hit its stride. In fact, I'd describe it as a key item for any keen fan's personal collection.