After what seems like gargantuan efforts to obtain the DVD and the necessary equipment I have finally managed to see the uncut version of Joan of Arc.
I am thrilled with this new DVD and will add nothing further to the positive comments that have already been made. However I should like to pay particular tribute to the wonderful music of Hugo Friedhofer. Of course, for years I loved his score for 'The best years of your life' but in terms of writing for an earlier period I never regarded this composer is quite the same league as, say, William Walton, whose Shakespeare/ Olivier scores were so memorable. But I have been forced to revise my opinion.
It was Max Reger who commented to the English composer Vaughan Williams: 'you have a veritable obsession with the flattened seventh' Well so, it seems does Mr Friedhofer! I suppose one either likes or loathes pastiche and modal writing. I adore it, and think that in Joan of Arc we get the best of both worlds. The music has a direct and powerful emotional appeal. It could scarcely fail to have. Yet given the fact that Friedhofer uses C20th conventions, harmonies, instruments and musicians, his 'nods' in the direction of C15th French church music are tastefully enough done for us to feel that such scenes as the coronation are, if not exactly in any sense 'authentic' then still marvellously effective.
I should dearly love to know whether anyone has arranged the score into a suite of pieces and recorded it. That would be a rare treat. Perhaps some other readers can advise?
I am thrilled with this new DVD and will add nothing further to the positive comments that have already been made. However I should like to pay particular tribute to the wonderful music of Hugo Friedhofer. Of course, for years I loved his score for 'The best years of your life' but in terms of writing for an earlier period I never regarded this composer is quite the same league as, say, William Walton, whose Shakespeare/ Olivier scores were so memorable. But I have been forced to revise my opinion.
It was Max Reger who commented to the English composer Vaughan Williams: 'you have a veritable obsession with the flattened seventh' Well so, it seems does Mr Friedhofer! I suppose one either likes or loathes pastiche and modal writing. I adore it, and think that in Joan of Arc we get the best of both worlds. The music has a direct and powerful emotional appeal. It could scarcely fail to have. Yet given the fact that Friedhofer uses C20th conventions, harmonies, instruments and musicians, his 'nods' in the direction of C15th French church music are tastefully enough done for us to feel that such scenes as the coronation are, if not exactly in any sense 'authentic' then still marvellously effective.
I should dearly love to know whether anyone has arranged the score into a suite of pieces and recorded it. That would be a rare treat. Perhaps some other readers can advise?