The Paleface one of the funniest films Bob Hope ever did was a godsend to the career of Jane Russell. Take a look at her film credits and see how few there were during the Forties. She did The Outlaw which kept going in and out of release every time Howard Hughes re-edited it. She did a film called The Young Widow which she hated and was a box office flop and then The Paleface.
Although Howard Hughes kept messing around with The Outlaw and kept Russell off the screen for most of the Forties, the man did know about publicity and certainly kept her name before the public. But a movie star has to make movies. So even Hughes realized that and I'm sure he exacted a good price for Russell's services to Paramount for The Paleface.
Hope of course is his usual character. A recent graduate of a dentistry college, he's gone west to seek fame and fortune, Hope the schnook gets tangled up with the notorious Calamity Jane.
Of course Russell is Calamity Jane, she's being offered a pardon in order to trap some no good outlaws selling weapons to the Indians. When her contact is killed and she nearly is also, she picks up Hope and they get married and join a wagon train.
Of course the some of the funniest stuff in The Paleface when Russell does some fancy shooting and let's Hope take the credit for it, giving him an undeserved reputation for fearlessness. One of my favorite bits is when Iron Eyes Cody gets a hold of some of Hope's laughing gas and Hope thinks he's Russell behind a barrier.
Bob Hope got to introduce his second Oscar winning song in The Paleface, Buttons and Bows by the Paramount contract song writers, Jay Livingston and Ray Evans. He sold a few records of it, but the real big hit was done by Dinah Shore. It's now become identified with Russell as well, but she sings it in Son of Paleface, not here.
This was Bob Hope's first trip to the American west in search of laughs and it was a successful expedition.
Although Howard Hughes kept messing around with The Outlaw and kept Russell off the screen for most of the Forties, the man did know about publicity and certainly kept her name before the public. But a movie star has to make movies. So even Hughes realized that and I'm sure he exacted a good price for Russell's services to Paramount for The Paleface.
Hope of course is his usual character. A recent graduate of a dentistry college, he's gone west to seek fame and fortune, Hope the schnook gets tangled up with the notorious Calamity Jane.
Of course Russell is Calamity Jane, she's being offered a pardon in order to trap some no good outlaws selling weapons to the Indians. When her contact is killed and she nearly is also, she picks up Hope and they get married and join a wagon train.
Of course the some of the funniest stuff in The Paleface when Russell does some fancy shooting and let's Hope take the credit for it, giving him an undeserved reputation for fearlessness. One of my favorite bits is when Iron Eyes Cody gets a hold of some of Hope's laughing gas and Hope thinks he's Russell behind a barrier.
Bob Hope got to introduce his second Oscar winning song in The Paleface, Buttons and Bows by the Paramount contract song writers, Jay Livingston and Ray Evans. He sold a few records of it, but the real big hit was done by Dinah Shore. It's now become identified with Russell as well, but she sings it in Son of Paleface, not here.
This was Bob Hope's first trip to the American west in search of laughs and it was a successful expedition.