NBC greenlighted The Deadly Tower, a retelling of the Charles Whitman incident of 1966, but the network was apparently unwilling to let it go as a kid-goes-nuts-and-shoots-up-a-college-campus thriller. Instead, they packed and padded this painful and unnerving story with lots of social commentary about a young Latino patrolman, one of the principals who got to Whitman, battling prejudice.
NBC's prudence (or cowardice, depending on your take) just about squelches the lean, dark, and amazingly gory (for TV) story of Whitman (a ne'er do well played creepily by Kurt Russell) losing his mind, offing his family, and carrying his fight with whatever lurking head-demons to a university tower where he unloads on an unsuspecting campus.
I've seen a documentary about Whitman which told the story of a profoundly damaged young man who breaks under familial pressures and seeks vengeance against the world. You don't get that from the movie; there isn't much more than a blurb about a suspected brain tumor to explain his actions.
Yet, on a suspense level, the movie works quite well. It's when the screenwriters pull their punches by injecting social issues that the movie loses its focus (but probably gains that old expectation of containing significant social value).
The Deadly Tower is ugly and sweaty and filled with mayhem, and if you can get by the issue stuff, you'll either be rewarded by or repulsed by a brutal and suspenseful voyeuristic wallow.
NBC's prudence (or cowardice, depending on your take) just about squelches the lean, dark, and amazingly gory (for TV) story of Whitman (a ne'er do well played creepily by Kurt Russell) losing his mind, offing his family, and carrying his fight with whatever lurking head-demons to a university tower where he unloads on an unsuspecting campus.
I've seen a documentary about Whitman which told the story of a profoundly damaged young man who breaks under familial pressures and seeks vengeance against the world. You don't get that from the movie; there isn't much more than a blurb about a suspected brain tumor to explain his actions.
Yet, on a suspense level, the movie works quite well. It's when the screenwriters pull their punches by injecting social issues that the movie loses its focus (but probably gains that old expectation of containing significant social value).
The Deadly Tower is ugly and sweaty and filled with mayhem, and if you can get by the issue stuff, you'll either be rewarded by or repulsed by a brutal and suspenseful voyeuristic wallow.