I officially fell in love with Johnny Depp and gained a brand new respect for him as an actor after seeing 1990's EDWARD SCISSORHANDS, the darkest of black comedies, in which Depp plays the creation of a mad scientist (Vincent Price, in his final film role)who, after the death of his creator, is disturbed to learn that his creator did not finish his hands and left his hands as large scissor-like objects who is befriended by a kindly Avon Lady (Dianne Wiest)who takes him home to live with her family. Director Tim Burton takes the "fish out of water" concept to an all-new level, creating an alternately dark and vibrant cinematic canvas that encompasses some of the most interesting color schemes that I've seen in a film in ages. A razor sharp screen- play is given yeomen service by Wiest, Winona Ryder as her daughter who Edward develops a crush on, Alan Arkin as Wiest's husband, Anthony Michale Hall as Ryder's boyfriend, and Kathy Baker as an amorous neighbor; however, it is Depp who dominates the proceedings with a devastating, tragic, sweet, brave, and touching performance. There is nary a false note in his performance as Depp plays the stranger in a strange land to perfection. This film was the genesis of the Depp-Burton collaboration that would continue into other films, but it all started here...this magical fantasy journey into the darkest parts of suburbia will thrill, amuse, and entertain.
Review of Edward Scissorhands
