This one spots the most mobile and actually threatening mecha-godzilla since the original 1974 one. Perhaps because the bones of the 1954 Godzilla lie inside the cyber armour of the robot. As with late G movies, this spin is present: Godzilla is summoned by its "relatives"...with Spacegodzilla it was G's cells coming back from the outer space; with Biollante it was the G's cells cross-bred into the giant weed; this time the bones of the original Godzilla cry for resting in peace. The miniature Mothra priestesses are there, and this represents an ideal sequel to the 1961 Mosura, with one leading character reprising his role 43 years later! The little girls want humankind to drop the project Kyriu (= mechagodzilla ), otherwise Mothra would have no choice but to fight humankind, being else ready to fight for it against Godzilla. This subplot is rather obscure. The grandchild of the returning character "draws" the Mothra symbol (another 1961 legacy ) using his school's desks, and Mothra re-appears to fight Godzilla, but in vain. Logically, Kyriu is sent to Mothra's rescue... Lethally wounded, Mothra had -on the other hand- previously forecast her demise, thus laid an egg on a neighboring island. Twin Mothra larvae are then born, and proceed to attack Godzilla that -seriously wounded by Kyriu- can be enveloped with their web flakes, thus made powerless. At this point a rather bizarre plot spin takes place, but let's see the movie. In the background a few minor characters. A nice movie & the logic sequel to the 1961 Mosura. The cast is good and acting is as well, genre-wise ( again that is a monster movie, not Kafka ). Special effects are definitely 2000ish and let nothing to be desired in an Hollywood comparison (budget-wise). Mothra is once again the most sympathetic of all Toho monsters. Godzilla is still a big beaver with green scales (looks a bit more threatening & lizardish, though ). Some music reminiscent of more famous Ennio Morricone.
Review of Godzilla: Tokyo S.O.S.
