8/10
The war ends when life ends....
16 October 2005
Warning: Spoilers
I was less interested in the political drama, than in the subtlety of the acting and the psychological realities of the film. I saw the main character, Diego, in a quest for identity, attempting to make an impact in this world, and constructing much of his life in his imagination as a part of his strategy to stay alive. When asked if he was tired of lying (about his work as a revolutionary and his identity) he responds that he is not lying but constructing "barricades" (to insure his safety).

His quest to conceal his identity and stay alive can be seen as a parallel to the multiplicity of personae that we assume in this life, thinking that this is the only way that we might survive our life's experiences and prevent loss. It is a universal illusion that we can control our destiny and avoid the loss of love, admiration, meaning and purpose.

As counterpoint, what the other characters thought so important and so real...the overthrow of Franco, the police preventing the revolutionaries from accomplishing that task, having a child with Marianne, making love (personal and impersonal)...becomes meaningless to him.

Diego (if even that is his "real" name) cannot live a "normal" life in Spain, but he cannot live anywhere else. He is a Spaniard and can be only that. He "solves" his dilemma: he becomes tired enough to move towards his capture and death. A poignant, painful, resonant narrative of a life.
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