"Charlie Chan in Reno" offers a cleverly woven mystery in which the murder suspects are all revealed to have had some involvement with each other in the past. It helps when watching to keep a scorecard to keep track of events and relationships so the final revelation makes sense. Not only do we have a murder victim, but an attempted murder as well.
When Mary Whitman (Pauline Moore) is found over the dead body of Jeanne Bentley (Louise Henry), she of course is the obvious suspect, and with a firm motive; Bentley was going to marry Whitman's about to be ex-husband. But Bentley had a unique way of alienating most everyone with her ingratiating manner, not the least of which was another suitor, Wally Burke (Robert Lowery). Burke comes across as suitably suspicious, as does Dr. Ainsley (Ricardo Cortez), who is surprised to be discovered in the murder room of the Hotel Sierra, claiming to be looking for the money won by Bentley at the casino, offering robbery as the motive for the crime.
Charlie Chan (Sidney Toler in his second performance as the Oriental Detective) is aided in the case by Number #2 Son Jimmy (Victor Sen Yung, credited as Sen Yung). Jimmy is on spring break from the University of Southern California, and gets himself mugged by a pair of con men who steal his borrowed car; he's identified by "Pop" in a police line up. There's also Police Chief King (played straight by Charles D. Brown) and an inept Reno Sheriff Tombstone Fletcher (Slim Summerville). Fletcher is quick to dismiss Chan's serious questioning and investigative work, preferring to pin the crime on the innocent Mary Whitman.
Once Charlie gets down to business, a whole host of new clues and information come to light. The investigation eventually leads to an abandoned ghost town outside of Reno, and yet another suspect, this time Jeanne Bentley's ex husband George.
For trivia fans, there are two actors in "Reno" that also appeared in Toler's first Chan adventure in "Honolulu". Phyllis Brooks as Vivian Wells is ultimately revealed to be the murderer; while Eddie Collins does a comic turn as the talkative cab driver. Collins was the lion keeper aboard a freighter in the "Honolulu" film.
Before the mystery is over, Chan unravels an entire network of entanglements that connect the murder victim with each of the suspects, and the suspects with one another. It's rather cleverly done, and promotes this film to one of the better Charlie Chan titles, particularly those of Sidney Toler.
When Mary Whitman (Pauline Moore) is found over the dead body of Jeanne Bentley (Louise Henry), she of course is the obvious suspect, and with a firm motive; Bentley was going to marry Whitman's about to be ex-husband. But Bentley had a unique way of alienating most everyone with her ingratiating manner, not the least of which was another suitor, Wally Burke (Robert Lowery). Burke comes across as suitably suspicious, as does Dr. Ainsley (Ricardo Cortez), who is surprised to be discovered in the murder room of the Hotel Sierra, claiming to be looking for the money won by Bentley at the casino, offering robbery as the motive for the crime.
Charlie Chan (Sidney Toler in his second performance as the Oriental Detective) is aided in the case by Number #2 Son Jimmy (Victor Sen Yung, credited as Sen Yung). Jimmy is on spring break from the University of Southern California, and gets himself mugged by a pair of con men who steal his borrowed car; he's identified by "Pop" in a police line up. There's also Police Chief King (played straight by Charles D. Brown) and an inept Reno Sheriff Tombstone Fletcher (Slim Summerville). Fletcher is quick to dismiss Chan's serious questioning and investigative work, preferring to pin the crime on the innocent Mary Whitman.
Once Charlie gets down to business, a whole host of new clues and information come to light. The investigation eventually leads to an abandoned ghost town outside of Reno, and yet another suspect, this time Jeanne Bentley's ex husband George.
For trivia fans, there are two actors in "Reno" that also appeared in Toler's first Chan adventure in "Honolulu". Phyllis Brooks as Vivian Wells is ultimately revealed to be the murderer; while Eddie Collins does a comic turn as the talkative cab driver. Collins was the lion keeper aboard a freighter in the "Honolulu" film.
Before the mystery is over, Chan unravels an entire network of entanglements that connect the murder victim with each of the suspects, and the suspects with one another. It's rather cleverly done, and promotes this film to one of the better Charlie Chan titles, particularly those of Sidney Toler.