Usually films located on a place as lovely as the French Riviera, especially Monte Carlo get the full technicolor treatment like To Catch a Thief. But in Seven Thieves director Henry Hathaway opted for black and white because this is a noir and the key here is the plot of the caper and the relationships of the characters.
Expatriate American academician Edward G. Robinson calls on a young protégé Rod Steiger to come over from America to help him heist a casino in Monte Carlo. He's recruited a gang and needs someone he can trust to keep them in line.
Robinson's role is similar to that of Sam Jaffe in The Asphalt Jungle and Steiger it seems is his Sterling Hayden.
That's how it seems at the start, but there's a whole lot more going on here as the characters reveal themselves bit by bit during the planning and execution of the caper.
Coincidentally in the same year another caper film, Ocean's 11 about robbing casinos also came out. But this is definitely not as lighthearted as that Ratpack romp.
What to watch for is the relationships between Robinson and Steiger and between Steiger, Joan Collins and Eli Wallach.
Nicely done little noir classic.
Expatriate American academician Edward G. Robinson calls on a young protégé Rod Steiger to come over from America to help him heist a casino in Monte Carlo. He's recruited a gang and needs someone he can trust to keep them in line.
Robinson's role is similar to that of Sam Jaffe in The Asphalt Jungle and Steiger it seems is his Sterling Hayden.
That's how it seems at the start, but there's a whole lot more going on here as the characters reveal themselves bit by bit during the planning and execution of the caper.
Coincidentally in the same year another caper film, Ocean's 11 about robbing casinos also came out. But this is definitely not as lighthearted as that Ratpack romp.
What to watch for is the relationships between Robinson and Steiger and between Steiger, Joan Collins and Eli Wallach.
Nicely done little noir classic.