If you're anti-Potter you owe it to yourself to see this film. Get past the issues you might have with the immense hype around the franchise and sit down for two hours to be captivated by this creepy, quirky and beautiful film. If you're a Potter-fan and you're unhappy with the film, the novel is probably on the table in front of you and you're better off reading it again. This is a wonderful film despite your expectations or opinions as to how it 'should have been done'.
This review contains spoilers pertaining to the novel version of The Prisoner of Azkaban; if you haven't read the book, you have been warned.
What makes this film work far more than the previous films are three key aspects - the acting, the screenplay, and the production design/cinematography - and all of them I credit directly to Cuaron's new vision. Suppsedly it was Cuaron's work on A Little Princess that won him the gig to direct this film, but I would honestly say that Y Tu Mama Tambien is equally if not more to credit. While he doesn't get the caliber of Tambien's performances in the young Potter stars, Cuaron does far better than his predecessor Chris Columbus. Most importantly, this film features a far more relaxed performance from Daniel Radcliffe as Harry Potter. His confidence, surely thanks to Cuaron's demonstrated ability to direct young actors, lets him speak and react in a far more genuine manner than we saw in the previous films and helps the film enormously. Hopefully Dan continues to improve with each film.
With the more assured Radcliffe able to hold a scene together, Rupert Grint matches him admirably. Having been relieved of the Culkin Syndrome he was afflicted with in the first two films (the fault of Columbus, no doubt), he brings a more entertaining and believable Ron to the screen; both a joker and a noble soul as he is portrayed in the novels. It's wonderful to see that Grint has a genuine sense of comedy about him, and has made Ron more than the one-dimensional, face-pulling joke Columbus would have him. Emma Watson holds her own with the boys, giving a fantastic performance, and importantly bringing a lot of needed emotion to the central characters. Hermione now feels like the glue in the trio rather than the outsider.
The new Dumbledore is a little uncomfortable, simply for the fact that he has a very small role in the film, and we don't have enough time to entirely digest this new portrayal. Richard Harris brought a wise kind of grace to the character, but perhaps in his physical state the character did come across as a little too frail. There is nothing wrong with Michael Gambon in this role, and I believe with his increased parts in the next film he will prove to be a satisfying replacement. I was wary of casting for Remus Lupin, one of my favourite characters of the novels, but David Thewlis makes this role his own with a delightful portrayal. Likewise, Oldman is perfectly cast as Black.
There are edits and reshuffles with regard to the Azkaban's story compared to the book, both in terms of how the story fits together, and what information from the overall seven novel arc is in the film. I don't see how these changes matter much, the identity of the Marauders will undoubtedly be revealed, and potentially in a fashion that has a greater impact than it did in the novels. The reshuffling improves the pace in a huge way compared to the Columbus films which were quite plodding in parts because of their tenacious grip on remaining accurate to the novels. The dialogue is similar to the previous films. The "sudden" ending is satisfying enough; there really isn't any need for the over-done end of year banquet scenes, and seeing Harry happy at the end of the film is all I think we need.
Some have complained that the continuity between the first two films and the third one has been spoiled by changes in the production design. I really can't see the problem here, the look of Hogwarts is far more immersive and emotive in Azkaban than it was in either The Philosopher's Stone or The Chamber of Secrets. Cuaron brings a twisted visual style to the screen and draws on his Mexican heritage to add further layers of interest to the look of the film. He could be called overly indulgent, but rather than being distracting, these additions simply bring more life to the screen, making Azkaban a gorgeously vibrant film. The production design is simply oozing with the filmmaker's obvious delight in creating the creepy magical atmosphere that this darker story requires. If after all that you still can't accept the changes to the production design, think simply of this; "The stairs like to change". If the stairs at Hogwarts like to change, why not the rest of it? It is a magical place, after all.
The cinematography though, is what makes the film so beautiful. There's barely a shot in the film which isn't utterly gorgeous. The scenes of the Dementors floating outside Hogwarts are inspired, the moonlight scene after the return from the Shrieking Shack, the flight scenes with Buckbeak, the first Dementor scene on the train; all are captured beautifully and put Columbus with his squeaky clean vanilla take on everything in first two films to shame.
This film was one of the highlights out of Hollywood in the last year. It's, dare I say it, compelling and well acted in a beautifully realized and shot fantasy world. You owe it to yourself to see it once; and if you're a fan holding a grudge, maybe you should give it another try.
And pray to your Gods that George Lucas never gets his hands on the reigns to a Potter film.
This review contains spoilers pertaining to the novel version of The Prisoner of Azkaban; if you haven't read the book, you have been warned.
What makes this film work far more than the previous films are three key aspects - the acting, the screenplay, and the production design/cinematography - and all of them I credit directly to Cuaron's new vision. Suppsedly it was Cuaron's work on A Little Princess that won him the gig to direct this film, but I would honestly say that Y Tu Mama Tambien is equally if not more to credit. While he doesn't get the caliber of Tambien's performances in the young Potter stars, Cuaron does far better than his predecessor Chris Columbus. Most importantly, this film features a far more relaxed performance from Daniel Radcliffe as Harry Potter. His confidence, surely thanks to Cuaron's demonstrated ability to direct young actors, lets him speak and react in a far more genuine manner than we saw in the previous films and helps the film enormously. Hopefully Dan continues to improve with each film.
With the more assured Radcliffe able to hold a scene together, Rupert Grint matches him admirably. Having been relieved of the Culkin Syndrome he was afflicted with in the first two films (the fault of Columbus, no doubt), he brings a more entertaining and believable Ron to the screen; both a joker and a noble soul as he is portrayed in the novels. It's wonderful to see that Grint has a genuine sense of comedy about him, and has made Ron more than the one-dimensional, face-pulling joke Columbus would have him. Emma Watson holds her own with the boys, giving a fantastic performance, and importantly bringing a lot of needed emotion to the central characters. Hermione now feels like the glue in the trio rather than the outsider.
The new Dumbledore is a little uncomfortable, simply for the fact that he has a very small role in the film, and we don't have enough time to entirely digest this new portrayal. Richard Harris brought a wise kind of grace to the character, but perhaps in his physical state the character did come across as a little too frail. There is nothing wrong with Michael Gambon in this role, and I believe with his increased parts in the next film he will prove to be a satisfying replacement. I was wary of casting for Remus Lupin, one of my favourite characters of the novels, but David Thewlis makes this role his own with a delightful portrayal. Likewise, Oldman is perfectly cast as Black.
There are edits and reshuffles with regard to the Azkaban's story compared to the book, both in terms of how the story fits together, and what information from the overall seven novel arc is in the film. I don't see how these changes matter much, the identity of the Marauders will undoubtedly be revealed, and potentially in a fashion that has a greater impact than it did in the novels. The reshuffling improves the pace in a huge way compared to the Columbus films which were quite plodding in parts because of their tenacious grip on remaining accurate to the novels. The dialogue is similar to the previous films. The "sudden" ending is satisfying enough; there really isn't any need for the over-done end of year banquet scenes, and seeing Harry happy at the end of the film is all I think we need.
Some have complained that the continuity between the first two films and the third one has been spoiled by changes in the production design. I really can't see the problem here, the look of Hogwarts is far more immersive and emotive in Azkaban than it was in either The Philosopher's Stone or The Chamber of Secrets. Cuaron brings a twisted visual style to the screen and draws on his Mexican heritage to add further layers of interest to the look of the film. He could be called overly indulgent, but rather than being distracting, these additions simply bring more life to the screen, making Azkaban a gorgeously vibrant film. The production design is simply oozing with the filmmaker's obvious delight in creating the creepy magical atmosphere that this darker story requires. If after all that you still can't accept the changes to the production design, think simply of this; "The stairs like to change". If the stairs at Hogwarts like to change, why not the rest of it? It is a magical place, after all.
The cinematography though, is what makes the film so beautiful. There's barely a shot in the film which isn't utterly gorgeous. The scenes of the Dementors floating outside Hogwarts are inspired, the moonlight scene after the return from the Shrieking Shack, the flight scenes with Buckbeak, the first Dementor scene on the train; all are captured beautifully and put Columbus with his squeaky clean vanilla take on everything in first two films to shame.
This film was one of the highlights out of Hollywood in the last year. It's, dare I say it, compelling and well acted in a beautifully realized and shot fantasy world. You owe it to yourself to see it once; and if you're a fan holding a grudge, maybe you should give it another try.
And pray to your Gods that George Lucas never gets his hands on the reigns to a Potter film.