Greetings again from the darkness. What a phenomenal script! Dealing with the absolute most controversial subject possible, Menno Meyjes (writer and director), provides a fascinating look at the early years of history's most despised figure. "What if" Hitler's art had won over his politics? So much of history would have changed, one can only imagine. As a matter of fact, how about a script showing what could have been? This one teases us with the fork in the road. Noah Taylor is absolutely chilling as a frustrated Hitler, just back form WWI and struggling to find his place in a crippled Germany. John Cusack, as art dealer Max Rothman, is tremendous in what is truly his first role as an adult (no wise-ass or chick flick here). Comparing the two and how they deal with post-war syndrome is enthralling. So similar, yet so different. I doubt this film gets made without Cusack and I doubt it will find much of an audience due to the fear of many to this day to even entertain the thought of Hitler as a human being. Trust me, this is not a sympathetic view of Hitler, merely a glimpse into his formation. Molly Parker has a nice turn as Cusack's wife. Where has she been? More than 20 film credits and I don't recognize her! It is always a pleasure to see Leelee Sobieski ("Joy Ride") although she has very little to do in this one. Wonderful script, mediocre direction and two fabulous performances make this one worth seeing ... although, sadly, very few will.
Review of Max
