Subhash ghai attempts to make a love story which falls flat on its face. This is probably one of those movies which really test your perseverance..(of staying in the hall). I am yet to leave a movie in the middle but if there is one movie which could have broken my unblemished record, yaadein has to be it. The movie is a story of a father trying to become a dost of his three grown-up daughters who have been brought up in London. Now obviously, the father is Indian to the core and there are enough dialogues in the movie about sanskriti etc.
The father(played by Jackie shroff) wobbles between the two extreme views about mohabbat(whether it is good or bad) and there are a lot of sub-plots none of which is allowed to develop. The romance between Hrithik and kareena is pathetic with all the usual fundas thrown in(viz saving the heroine, puppy love etc). Hrithik may have a great following but (this is my personal opinion only)he has yet to show any subtelty in his acting. He tries very hard to show his love which translates to shouting and making faces (a.l.a shahrukh) instead of letting his eyes do the talking. There are twists:) like rich boy-poor girl, love is good/bad, another girl, a dead sweetheart always dressed in white, sacrifice to show gratitude etc which are just ghai's attempts to borrow from the breed of directors who are adept at making love-stories. Ovreall, a forgettable movie.
The father(played by Jackie shroff) wobbles between the two extreme views about mohabbat(whether it is good or bad) and there are a lot of sub-plots none of which is allowed to develop. The romance between Hrithik and kareena is pathetic with all the usual fundas thrown in(viz saving the heroine, puppy love etc). Hrithik may have a great following but (this is my personal opinion only)he has yet to show any subtelty in his acting. He tries very hard to show his love which translates to shouting and making faces (a.l.a shahrukh) instead of letting his eyes do the talking. There are twists:) like rich boy-poor girl, love is good/bad, another girl, a dead sweetheart always dressed in white, sacrifice to show gratitude etc which are just ghai's attempts to borrow from the breed of directors who are adept at making love-stories. Ovreall, a forgettable movie.