STARTS OUT WELL, BUT....
6 July 2002
"Lost and Delirious" starts out well, but it eventually grinds to a halt and the movie never recovers.

This movie doesn't know what it wants to be. A forbidden love story? A satire about insanity along the lines of "The Ruling Class"? A film about personal discovery? It is all of these things, but it lacks two things: 1) a director who could pull off a multi-level film, like Robert Altman or Paul Thomas Anderson and 2)a well written script.

I'm not saying "Lost and Delirious" is a bad movie. In fact, despite my reservations, you should see it for one reason and one reason only: Piper Perabo.

Perabo is an actress who I think has great potential. She had a promising start in the indie flick "Whiteboyz". But Hollywood has squandered her talent in a bunch of dumb, undemanding roles such as "Coyote Ugly".

In "Lost and Delirious", Perabo has the role of her career as Paulie, a young woman on the verge of insanity after a romance with another girl fizzles. Perabo invests the character with warmth and sensitivity and you can't help but like her.

The film had some controversy for its' lesbian scenes, which are explicit without being sleazy. However, just because I said they are explicit doesn't mean it's a T&A fest; if that's what you want, rent Showgirls or Red Shoe Diaries.

Aside from Perabo's performance, there really isn't all that much that stands out. Graham Greene is wasted in what could have been a wonderful role as the genial caretaker. Aside from her rack getting substantial airtime, Jessica Pare isn't given much to do, which is a shame because she also has great potential (see "Stardom")as an actress. The story tries to be "The Ruling Class meets Nashville", but it doesn't have the satire of the former and the power of the latter to fully succeed. With a rewrite and a skilled director, this could have soared.

**1/2 out of 4 stars
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