3/10
A film without any reason to exist
5 February 2001
Robert Lepage takes an intriguing, clever premise and then steadfastly refuses to develop it for what seems a very long time, finally offering a resolution that follows the path of least interest. I cannot think of any element of this movie that has not been done better elsewhere, or a single compelling reason to see this film instead of any other. Take special pains to avoid this movie if you have seen one or more of: Dark City, Lost Highway, Groundhog Day, or Brain Dead (the Bill Pullman / Bill Paxton one). If you have it will only frustrate you to see such similar ideas, done so well elsewhere, done so poorly here. If you have not seen those movies, see them instead of this one. If you want to see a good Tom McCamus movie, rent "I Love a Man in Uniform". If you want a good Tilda Swinton movie, rent "Orlando". If you're interested in Robert Lepage, see any other Robert Lepage movie (but especially "Le Confessional"). If you want a good Genie-nominated movie, see "Maelstrom" or "waydowntown" or "New Waterford Girl".

Lepage treats his ultimately flimsy story with the naive glee of someone who has never read any science fiction, ever, or even seen a decent Star Trek episode. Like many previous non-SF artists who have done SF, they believe the sheer novelty of an odd premise can sustain an entire narrative while they concentrate on peripheral things like clever scene changes and convincing their actors to behave like zombies. This makes for a dreary, self-important film made only worse by its utter lack of necessity. The poster's nice, though.
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