10/10
A knockout-- Ruiz does a Visconti.
28 February 2000
I got to see this film in London, and went not expecting much. Amazing, then-- this film could appear in a "Masterpiece Theater" format, afloat as it is in voluptuous costumes, spectacular food, beautiful interiors, gossiping grand dames-- the stuff that makes one keep going back to period costume dramas, hoping to find one this complex and piquant. Its swarming cast of characters have an almost symphonic density, and in the final soiree, in which the violin sonata that defines "Swann's Way", a viewer welcomes each face as it approaches the narrator/camera. A beautiful earlier scene, in which the Proust-character encounters a deranged Baron Charlus (John Malkovich) in the driveway of a spa moves its extended tracking shot in and out of shadows and real-light, and as Ruiz goes on risking lighting-difficulties and getting away with it, you realize this is one lucky movie.
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