The only reason I watched this is because my girlfriend threatened me to. This is movie is sooo desperate to be a post modern crime thriller that it looks and feels so relentlessly superficial.
Most scenes are decked out in unpleasant pastel colors and interiors are always lit with warm lights. It's nice to look at but has a student filmmaking feel to it that distracts me.
Something else that is quite unreal is the scene in which Nivola and Witherspoon discuss their forthcoming crime...on a roof in front of a neon sign on a sofa. Yeah...like people keep sofas on roofs in front of neon signs. This was obviously an attempt by the director to add a little sparkle to an otherwise BORING scene. Which is also the reason he throws in some cliched camera angles. It's a "film noir" you see...so diagonal shots on an ordinary scene are standard.
Composer Craig Armstrong was obviously hired at the last minute when the director heard the score for Romeo and Juliet to provide a superficial (that word again) soundtrack. It sounds like it belongs in a totally different movie. But perhaps this is a good thing. There isn't much theme but the music does evoke some weird feelings from us. Much like the feelings the characters have. It's cool and I wish more scores were this way.
The "twist" wasn't too obvious to me. Once it occurs it takes away all the tension and stress right away and will relieve you big time. It even manages to change the tone of the whole movie to light-hearted.
In case your wondering my girlfriend lists this as number 2 in her top 3 movies. Number 1 is Devils Advocate and 3 is Moonwalker...ugh!
Most scenes are decked out in unpleasant pastel colors and interiors are always lit with warm lights. It's nice to look at but has a student filmmaking feel to it that distracts me.
Something else that is quite unreal is the scene in which Nivola and Witherspoon discuss their forthcoming crime...on a roof in front of a neon sign on a sofa. Yeah...like people keep sofas on roofs in front of neon signs. This was obviously an attempt by the director to add a little sparkle to an otherwise BORING scene. Which is also the reason he throws in some cliched camera angles. It's a "film noir" you see...so diagonal shots on an ordinary scene are standard.
Composer Craig Armstrong was obviously hired at the last minute when the director heard the score for Romeo and Juliet to provide a superficial (that word again) soundtrack. It sounds like it belongs in a totally different movie. But perhaps this is a good thing. There isn't much theme but the music does evoke some weird feelings from us. Much like the feelings the characters have. It's cool and I wish more scores were this way.
The "twist" wasn't too obvious to me. Once it occurs it takes away all the tension and stress right away and will relieve you big time. It even manages to change the tone of the whole movie to light-hearted.
In case your wondering my girlfriend lists this as number 2 in her top 3 movies. Number 1 is Devils Advocate and 3 is Moonwalker...ugh!