I vacillate between preferring films that do a simple thing extremely well (Muppet Movie) or those that shoot high and fail. This film is the latter.
Campion has allied her aspirations with `women's' perspectives; honorable and rich enough. And she selects material ripe with possibilities. Clearly she has a vision, presumably extracted from the author's, but she fails to get on top of it.
Part of the problem is the simplification of the book for the screenplay. We just don't get enough foundation for the travesty of person we witness. A large part of the problem is Ms Kidman. She simply doesn't have the depth to pull this off, though she wears the clothes well. We never really see her supposed extraordinary spirit, and never really see how she's trapped by that very same spirit. Malkovich doesn't help. Here, he's too one-dimensionally a schemer.
Campion knows better than to throw in so many irrelevant film-school angles as a substitute for narrative reflection. This film is worth seeing as a study in how a spirited film maker is seduced by that very spirit into the superficialities of style, so is trapped. The ambiguous ending is, I think, Campion's limbo. Let's hope she escapes for her sake as well as ours. We need that spirit.
Campion has allied her aspirations with `women's' perspectives; honorable and rich enough. And she selects material ripe with possibilities. Clearly she has a vision, presumably extracted from the author's, but she fails to get on top of it.
Part of the problem is the simplification of the book for the screenplay. We just don't get enough foundation for the travesty of person we witness. A large part of the problem is Ms Kidman. She simply doesn't have the depth to pull this off, though she wears the clothes well. We never really see her supposed extraordinary spirit, and never really see how she's trapped by that very same spirit. Malkovich doesn't help. Here, he's too one-dimensionally a schemer.
Campion knows better than to throw in so many irrelevant film-school angles as a substitute for narrative reflection. This film is worth seeing as a study in how a spirited film maker is seduced by that very spirit into the superficialities of style, so is trapped. The ambiguous ending is, I think, Campion's limbo. Let's hope she escapes for her sake as well as ours. We need that spirit.