Every João César Monteiro movie I see drives toward one conclusion: although being, in Portugal, the soul director whose vision of life, lust and decay is comparable to that of Baudelaire, Monteiro lacks the force of will that would make him a Rimbaud. The character João de Deus, central figure of a trilogy of which A COMÉDIA DE DEUS is the first part is none other than João César Monteiro masked as a detached and unsure version of himself. To see and to reflect on the weakest side of idealism.
Review of God's Comedy
