Ben Ng plays the overseer of a home for the mentally disabled in this outrageous shocker. He also plays the monster rapist stalking every woman in sight.
It's RED TO KILL because the color "red" sets the rapist off.
We get a whole new brand of lurid here. And director Tang is no shrinking violet in his depictions of the numerous sexual assaults. A sequence in which a victim saws off her public hair with a blunt razer blade is a real showstopper.
The actors playing the mentally retarded really look it. One, in particular, looks like he was recruited straight off the Ugly Tree.
A deep thread of sex and voyeurism snakes its way through the narrative. Panty-watchers are well served, too, by a voyeuristic sequence in which an intended rape victim dances for the camera and gives us a bird's eye view of what's under her skirt.
As one expects from Tang, his climactic battle between heroine and victim is over-the-top and not one bit interested in reality. It's Human versus Monster as the rapist meets his match.
Exploitation of the highest order.
It's RED TO KILL because the color "red" sets the rapist off.
We get a whole new brand of lurid here. And director Tang is no shrinking violet in his depictions of the numerous sexual assaults. A sequence in which a victim saws off her public hair with a blunt razer blade is a real showstopper.
The actors playing the mentally retarded really look it. One, in particular, looks like he was recruited straight off the Ugly Tree.
A deep thread of sex and voyeurism snakes its way through the narrative. Panty-watchers are well served, too, by a voyeuristic sequence in which an intended rape victim dances for the camera and gives us a bird's eye view of what's under her skirt.
As one expects from Tang, his climactic battle between heroine and victim is over-the-top and not one bit interested in reality. It's Human versus Monster as the rapist meets his match.
Exploitation of the highest order.