I saw this film at the Toronto International Film Festival and thought I'd died and gone to heaven. I screeched with laughter, and cried real tears. The audience reception was rapturous, one of the most responsive I've ever witnessed at the festival. Director Peter Chelsom was reduced to tears, and when Ned Beatty made a surprise appearance in his Joseph Locke fedora and cloak the crowd went crazy. Since then, I make a point of watching this wonderful film in the dark days of February, the dreariest part of a Toronto winter. It never fails to restore my spirit.
As a final note, I think Chelsom is a very talented director. Who can ever forget the image of those Irish lady owners crammed onto one couch? The film is filled with glorious visuals like this one. I've liked every movie Chelsom has made since, but he seems to get a bum rap from the press. Nonetheless, he will always be remembered for giving us this treasure.
As a final note, I think Chelsom is a very talented director. Who can ever forget the image of those Irish lady owners crammed onto one couch? The film is filled with glorious visuals like this one. I've liked every movie Chelsom has made since, but he seems to get a bum rap from the press. Nonetheless, he will always be remembered for giving us this treasure.