9/10
Hair, see now, that was really important. Hair counts you know.
26 January 2004
You either love, loathe or simply don't understand Bakshi's films. I personally fall into the first category and this was the film that started it all for me at the tender age of 12. It still remains my favourite 15 years later. Me and a friend of mine were obsessed with it and would quote it to each other (and others who must have wondered what the hell we were on about) constantly.

I love Bakshi's animation, it maybe rough and sketchy at times but this is part of the appeal. It's far more organic than some pristine computer generated Disney schmaltz or his rotoscoped films. He has a wonderfully unique way of capturing characters in his art. 98% of people in his world are ugly. Though usually with a couple of exceptions. The love interest Rozzie, for example may well be the very ideal of a red blooded males fantasy, forget Jessica Rabbit! The dialogue (as in all his earlier pics) is wonderfully un-coached and at times sounds very improvised. It's drops a lot of the psycadelic and pseudo 60's philosophy that inhabited "Fritz the cat" and "Heavy traffic". There is also less of his trademark mixing of animation over live action backgrounds although it's still present to good effect in certain scenes. In a sense, it's perhaps more streamlined and consequently more accessible to new comers to the world of Bakshi than his previous works. What really makes the film for me though is Ric Sandlers superb soundtrack which (probably due to the films lack of anything beyond extreme cult success) has never been released. I implore those of you who feel the same to email him and tell so because I personally know (from experience) this music does still exist. And with enough interest it could see a release.

Playin' To Win

9 Out of 10
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