Que Viva Mexico is an interesting (reconstruction of a) film by Sergei Eisenstein, the director of so many masterpieces. In fact, of all that I have seen, this is the only non-masterpiece of the bunch. Even the reconstruction of Beshin Meadow I like more. Que Viva Mexico is a semi-documentary. Most of it is uninteresting and, unlike Eisenstein's other films and Tisse's other cinematography, poorly composed. The only parts of real interest come near the end, with the rebellion, something that Eisenstein was used to creating on screen. There is a great gunfight with a woman participating, a precursor to Alexander Nevsky's Vasilisa, and there is a great scene where some rebels are buried up to the shoulders underground and then trampled by horses (by far the best scene in the film). The Day of the Dead celebration is also very interesting. There is also a bullfight that will demonstrate just how cruel bullfighting is.
I do have to complain about the reconstruction that I watched. This was supposed to be a silent film, I believe. The narration I did not mind, for Eisenstein would have had to find a way to communicate what the narrator did anyway. And the music is good, often great. But I object to the insertion of diagetic sound effects, like guns shooting and horses galloping. This is ridiculous. Obviously the only people who are ever going to see this film are Eisenstein enthusiasts, so to try to sell it to the public as a sound movie is ridiculous. Why?
I do have to complain about the reconstruction that I watched. This was supposed to be a silent film, I believe. The narration I did not mind, for Eisenstein would have had to find a way to communicate what the narrator did anyway. And the music is good, often great. But I object to the insertion of diagetic sound effects, like guns shooting and horses galloping. This is ridiculous. Obviously the only people who are ever going to see this film are Eisenstein enthusiasts, so to try to sell it to the public as a sound movie is ridiculous. Why?