While never a fan of the dry humor of the TV series & certainly too young to be an expert on the Korean War, MASH - the movie - comes off as an unconventionally funny & intriguing look at war thru the eyes of irreverent doctors in the kooky MASH unit.
Director Robert Altman never allows us to get seriously involved in the "war" aspect of this film - there are few, if any, poignant moments in regards to the actual battle in Korea. Instead, we follow the kooky exploits of the brilliant loose-cannon surgeons, led by Donald Sutherland, Elliot Gould & Tom Skerritt. The entire cast is fantastic, especially Gould & Sutherland as motor-mouthed playboys undermining "authority" at every turn. Roger Bowen, Robert Duvall & Sally Kellerman are equally effective in supporting roles.
There are moments of outright hilarity throughout & the humor, though sometimes slapstick, is incredibly unconventional (dream sequences, breaking down the fourth wall & an effective scene involving the infamously haunting theme song performed by Johnny Mandel). MASH's only - and major - flaw is treating its subject matter with kid gloves. We behold dead or dying bodies in most scenes, blood spurts & pours on every gurney, yet every scene is a platform for comedy. And while I couldn't help but laugh, I couldn't help thinking that this was certainly not the norm of war, even in Korea. Then again, it's only a movie. And a pretty funny one at that. 6 out of 10.
Director Robert Altman never allows us to get seriously involved in the "war" aspect of this film - there are few, if any, poignant moments in regards to the actual battle in Korea. Instead, we follow the kooky exploits of the brilliant loose-cannon surgeons, led by Donald Sutherland, Elliot Gould & Tom Skerritt. The entire cast is fantastic, especially Gould & Sutherland as motor-mouthed playboys undermining "authority" at every turn. Roger Bowen, Robert Duvall & Sally Kellerman are equally effective in supporting roles.
There are moments of outright hilarity throughout & the humor, though sometimes slapstick, is incredibly unconventional (dream sequences, breaking down the fourth wall & an effective scene involving the infamously haunting theme song performed by Johnny Mandel). MASH's only - and major - flaw is treating its subject matter with kid gloves. We behold dead or dying bodies in most scenes, blood spurts & pours on every gurney, yet every scene is a platform for comedy. And while I couldn't help but laugh, I couldn't help thinking that this was certainly not the norm of war, even in Korea. Then again, it's only a movie. And a pretty funny one at that. 6 out of 10.