A flawless blend of the subtle with the flamboyant
28 March 2002
Before I ever saw "The Odd Couple," I heard scenes of it on an long

playing record that my roommate had on our air base in Texas in 1969.

The dialogues were inter-spaced with music clips from the film. It got

to be a matter of course that Sandy and I would unwind with "Dirty

Poker" and "Clean Poker" immediately upon returning to our room after

duty hours. Therefore, by the time I got the opportunity to see the

movie, I had memorized an awful lot of the dialogue and the

complementary visual aspects of the film appeared all the more

illustrative. "The Odd Couple" is the most flawless blend of written

dialogue with setting, movement, and facial expressions that I have

ever seen on film. Every scene of "The Odd Couple" is a masterful

blend of the understated with the flamboyant. It is a film that offers

the audience a nice blend of comfortable, likeable characters in a

familiar setting with something new each time the movie is seen again.

In the "Dirty Poker" scene, nothing is said about it but the viewer who

has seen the film several times can see in their chagrined, resigned

faces that Oscar's poker party guests have long since given up trying

to get him to take down the Christmas decorations now that they are

into the dog days of summer. When warm beer starts spraying all

over the apartment, Oscar is in the background wiping up with sofa

pillows. In 1975, after serving in Vietnam and after getting an MA degree in

Tokyo, I dropped in on Sandy in Chicago. Now with our wives in the

car, I suddenly asked Sandy, "My meat loaf is all dried out. What am

I going to do?" Without missing a beat, Sandy responded, "Put gravy

on it." "Where am I going to get gravy at 8 o'clock?" "I don't know. I thought it comes when you cook the meat." Both of our wives really thought we had lost it when I angrily

insisted, "You don't know what you are talking about, Oscar. You've

got to make gravy. It doesn't just come!"
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